Search Details

Word: blends (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...group deserves praise just for attempting such a giant as Mahler, not to mention negotiating his complexities with competence. For Mahler makes incredible technical demands: every instrument must be a soloist; the conductor must dovetail many scattered parts; and a solo voice must blend evenly with the ever swelling and falling background. The simplicity and brevity of these five last Rueckert songs make the job no less difficult. Their exposed, masterful orchestration fairly invites misfortune...

Author: By William A. Weber, | Title: Harvard-Radcliffe Orchestra | 5/8/1961 | See Source »

...Country. This study of Sigmund Freud and his famous patient Elizabeth von Ritter, although somewhat broken in impact, provides an often vibrant blend of theater and truth. The play offers a vital portrait of Freud, ably acted by Steven Hill, and a crucial delineation of Elizabeth, intelligently played by Kim Stanley...

Author: /time Magazine | Title: Cinema: Apr. 28, 1961 | 4/28/1961 | See Source »

...Country. This study of Sigmund Freud and his famous patient Elizabeth von Ritter, although somewhat broken in impact, provides an often vibrant blend-as against the usual clash-of theater and truth. The play offers a vital portrait of Freud, ably acted by Steven Hill, and a crucial delineation of Elizabeth, intelligently played by Kim Stanley...

Author: /time Magazine | Title: Cinema: Apr. 21, 1961 | 4/21/1961 | See Source »

...despite its broken impact, A Far Country proves an often vibrant blend, as against the usual clash, of theater and truth. Truth on Broadway is needed, and if Freud helps bring it there, perhaps more Freud would help Broadway, too, out of spending so much of its life on crutches...

Author: /time Magazine | Title: Theater: New Play on Broadway: Apr. 14, 1961 | 4/14/1961 | See Source »

These two elements blend together perfectly, for the "row" provides a framework for Copland's long-legged marches up and down the keyboard and the tonality draws the work back to a more placid, stable base. Because he has accomplished this integration within a distinctly personal style, it is a brilliant and welcome contribution to the modern piano literature, a field in serious decline...

Author: By William A. Weber, | Title: Copland: Innovation vs. Mediation | 3/10/1961 | See Source »

Previous | 506 | 507 | 508 | 509 | 510 | 511 | 512 | 513 | 514 | 515 | 516 | 517 | 518 | 519 | 520 | 521 | 522 | 523 | 524 | 525 | 526 | Next