Word: blimped
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Dates: during 1940-1949
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...Gunn, who signalized the end of leftist tomfoolery with his first memo to the Standard staff: "The chief function of an evening newspaper is to TELL THE NEWS." But the Standard still had one rugged warrior to keep its tattered leftist ensigns flying: famed, impish Cartoonist David (Colonel Blimp) Low, who is not above caricaturing his own boss...
...movie is incomplete without the gently savage cartoons, by the same token the cartoons are incomplete without the affectionately explanatory movie. Many liberals and leftists are going to feel that Blimp has been whitewashed into a Dear Old Boy-as indeed he has; but David Low himself, who advised on the characterization and makeup, is well satisfied. Says he: "Blimp is a symbol of stupidity and stupid people are not necessarily hateful. In fact, some stupid people are quite nice...
...Blimp first appears as a gallant and naive young officer named Clive Candy (Roger Livesey), back from the Boer War with a V.C., who takes it upon himself-very much without diplomatic portfolio-to go to Berlin in order to refute some popular German lies about British mistreatment of Boer prisoners. A café quarrel leads to a duel, thanks to which young Candy 1) gets the wound which causes him to raise his Blimpish mustache, 2) makes a lifelong friend of his unwilling opponent (Anton Walbrook), 3) loses, to this Prussian officer, a charming English girl (Deborah Kerr) whom...
...time his second great war is upon him, Blimp is the grand old lobster of the cartoon, angry, hurt and bewildered to find his age and his military experience in disesteem. The crowning blow comes when sharp young men of the new Army jump the gun in training maneuvers and capture him, boiling red and boiling mad, in a Turkish bath, hours before the sharo battle was supposed to begin. Reluctant and heartsick, he begins at last to understand the one thing the movie tries to teach Blimp, or to show him inadequate in: the idea that the code that...
...moving exposition of a kind of love the movies rarely pay attention to. The life history of the subtle German and the sanguine Englishman culminates in a beautiful study of two kinds of old age: one seasoned through suffering, the other invincibly innocent. Long as it is, Blimp seems short, for it is done with a constant feeling for lightness and for style, and it is wonderfully well acted...