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Certainly Eduardo Chillida restrains the knotty nature of his wooden sculpture (see over page), and Antonio Saura's Brigitte Bardot is unsentimental. Says Saura, 36: "When I throw a blob of paint on my canvas, I am committing a rape. When I work I become a kind of monster." There is violence, a seething impasto in whorls of dark color, the suggestion of hot, bubbling blood. Like the peeling, crumbling walls of the Cuenca museum itself, Spain's informalists, such as Luis Feito, present a modern vision of ancient agonies bred in the scorching sun. They convey...

Author: /time Magazine | Title: Museums: A New View on the Cliff | 7/29/1966 | See Source »

Fortunately the thing cannot be a blob of irritable radioactive ooze, for a moment later it knocks at the door and announces, with a hammer-and-sickly grin: "We're Norwheeguns." Actually the nervous Norsemen are petrified Soviet sailors whose sub has run aground on a sand bar. Their spokesman is Alan Arkin, a cabaret satirist (Second City) and Broadway clown (Luv), making a major movie debut that probably deserves an Oscar, a Lenin Peace Prize, and any other encouragements a wicked old world can offer...

Author: /time Magazine | Title: Cinema: Invasion Farce | 6/10/1966 | See Source »

Largo. Occasionally Horowitz finds himself seized with a sickening stage fright. He asks the manager of one concert hall to tell the audience that Mr. Horowitz cannot appear. Tell them yourself, says the miffed manager. Horowitz tries: he goes to center stage, looks out over the blob of faces, opens his mouth-and then dashes for the safe harbor of his grand piano...

Author: /time Magazine | Title: Pianists: Concerto for Pianist & Audience | 4/29/1966 | See Source »

...burgeoning Industrial Revolution, Turner eventually abandoned trite old themes to depict railway trains and steamships roiling, almost defiantly and often indistinctly, through mist and fog. When he titled a painting Sunrise with a Boat Between Headlands, the subject was neither topography nor the boat, which is a barely visible blob, but light refracted by mist...

Author: /time Magazine | Title: Painting: Landscapist of Light | 4/1/1966 | See Source »

Laurel and Hardy were virtually the only silent comedy stars to repeat their phenomenal success in talkies, probably because their miming spoke louder than words. Stan remained a model of amiable imbecility, impervious to thought. Ollie, a blob just a shade brighter, bumbled his way through every difficulty with ineffable grace, slowly building up vast reserves of despair, self-pity and frustration that only a long pained look into the camera could dispel...

Author: /time Magazine | Title: Cinema: Timeless Twosome | 12/10/1965 | See Source »

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