Word: blonde
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Dates: during 1990-1999
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They're the supermodels, and they're hotter than a curling iron. Whenever Evangelista, 26, dyes her trademark bob -- and that's often -- it's news. The fashion world quivers as her hair goes from dark brown to platinum blond to Technicolor red. Campbell's life and loves are chronicled as much as her face; her reputed affair with Robert De Niro has become a staple of the celebrity gossip pages...
EATING. Since its release in May, Henry Jaglom's "serious comedy about food" has earned a fervent cult audience. A melange of masochists, we'd say, since the mostly young, blond and svelte women in the cast mostly complain about how fat they are. Of time-capsule value only, to remind future generations of '90s America's obsession with appearance...
...tawny blond and blue surfaces of the seascapes, like Le Chenal de Gravelines: Petit-Fort-Philippe, 1890, mediate between solidity (the molecular structure of the skin of paint) and transparency in a way that is unique in 19th century painting, and as a result they can absorb and reward all the contemplation the eye can give them. The port, under its light-suffused spell, its unpeopled high-summer sleep, becomes a subject of reverie but not a fantasy, anchored in the real by such declarative touches as the iron bollard placed dead center in the foreground, yet located...
Meet Darren, a 23-year-old yacht-club manager with tousled blond hair and a cute British accent. You might call him a dream date. But then, you haven't met his main rival: Nico, 19, a bodyguard with slicked-back hair, a macho manner and a size 18 shoe. "Great lips -- fit perfectly with mine," drools one of three women who went on a date with Nico. Says another: "If he had kissed my neck, I would've lost control." For Darren, however, the postdate comments run from "He looked like he just woke up" to a grumbly...
...handsome cast performs these epiphanies in grand, graceful comic style; the actors know this is not so much real life as ideal life. And Robert, whose reputation previously rested on slight farces such as The Tall Blond Man with One Black Shoe, presents the vignettes with an assured briskness the viewer barely has time to appreciate. They are like Marcel and his brother: eager and bright, soliciting our attention, trying to crowd each other out. But gently, no elbows. Again like Marcel, these films are at once playful and spectacularly well behaved...