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...Again and again and again during the first hour of the film, the monster strikes and sheer predictibility saps any terror from the scenes as a typical friendly middle-aged lady, a scruffy little dog, and a blond bikini'd teen are all sucked in, or beheaded, or incur "massive damage to ... once pretty legs," at the hands of the sand creature...

Author: By David M. Handelman, | Title: Geritol Case | 2/4/1981 | See Source »

...until marriage or death, whichever comes first." Like Ann, who pioneered the use of expert advice in her column, Sister Abby refers many readers to psychologists, clerics and other specialized counselors-but never before investigating the service. A former World War II Red Cross aide, she has donned a blond wig to visit, incognito, a Gamblers Anonymous meeting in New Jersey, a suicide prevention center in Los Angeles, even a Masters and Johnson clinic in St. Louis. Says she: "I learn more from my mail than a gerontologist can in an average practice...

Author: /time Magazine | Title: Press: Advice for the Lonely Hearts | 1/19/1981 | See Source »

...scene comes early in Altered States. Husband Eddie Jessup (William Hurt), a psychology researcher studying human consciousness, plays it with almost aggressive sincerity. Throughout the picture, this blond hunk seems to be trying to prove one need not look ethnic to be an intellectual. Soon, all that time under the thinking cap pays off, and Eddie knows what he wants: the secret to human life...

Author: By Jeffrey R. Toobin, | Title: Cinematic Regression | 1/14/1981 | See Source »

...ALMOST innocent victims in this struggle are Hurt and wife Blair Brown, who, respectively, appeared invigorated and bewildered by the sordid goings on. A veteran of B-movies that capitalized on his blond locks and blue eyes, Hurt throws himself into his role, watching with enthusiasm as he slides toward the simian. He is strangely unafraid, but Brown makes up for his lack of fear, crying almost incessantly. Charles Haid's cameo as the skeptical colleague is the best performance in the film, though he cannot rise above the chaos that constitutes the finale...

Author: By Jeffrey R. Toobin, | Title: Cinematic Regression | 1/14/1981 | See Source »

With such stylized direction and dialogue, and such an overpowering vision, Scorsese has always relied on his actors to make his films immediate and real. They have rarely failed him, and they don't fail him here. Moriarty recreates the sex goddess of that era: blond and yielding. With her coyness of expression and a voice low and flat as a pool table, she tells us all we need to know about a certain kind of woman in a certain kind of neighborhood. Joe Pesci, also in his first movie role, is perfect as the little man and the little...

Author: By Paul A. Attanasio, | Title: Raging Paranoia | 1/5/1981 | See Source »

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