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...long mobile stakeout and kick-the-door-in shakedown. I had a license to steal and a ticket to ride… I am going to tell you everything.” At the beginning of James Ellroy’s latest novel, “Blood??s a Rover,” the third installment of his “Underworld U.S.A. Trilogy,” one of the book’s three narrators proposes to retell the history of America between June 14, 1968 and May 11, 1972, and unsurprisingly, the novel?...

Author: By Heather D. Michaels, CONTRIBUTING WRITER | Title: 'Rover' Runs Red, if Overlong | 10/30/2009 | See Source »

...Blood??s a Rover” comes as the final episode in a trilogy that recounts the tumultuous times of the American Sixties, though it can be read as a stand-alone novel. Its predecessors “American Tabloid” and “The Cold Six Thousand,” set throughout the early and mid-60s, are retellings of such events as the assassinations of President Kennedy and Martin Luther King Jr., with rotating chapters containing each of three narrator’s points of view. Ellroy continued this three-narrator formula in this...

Author: By Heather D. Michaels, CONTRIBUTING WRITER | Title: 'Rover' Runs Red, if Overlong | 10/30/2009 | See Source »

Like much of Ellroy’s fiction, “Blood??s a Rover” is at least in part homage to pulp literature—a genre whose mandate is one of instant gratification. But at 640 pages, Ellroy’s latest dwells too often and for too long on aspects of the plot that, for their sheer monotony, never seem important. The truth behind the robbery and Joan Klein’s identity are both revealed so slowly that the value of surprise is squandered. None of the three protagonists are ever completely...

Author: By Heather D. Michaels, CONTRIBUTING WRITER | Title: 'Rover' Runs Red, if Overlong | 10/30/2009 | See Source »

...taking the reins of mythology—steeped in perverse sexuality and racism—without much consideration of the implications of its wholesome family marketing.Meyer’s exploitation of the genre can be contrasted with the recent successes of the series “True Blood?? and the Swedish film “Let the Right One In,” which both pay respect to the symbolic origins of vampires while simultaneously playing into modern consciousness. The latter is as incredible as it is frightening, as it recreates the starkly alienated landscape of most...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: The New Hot Topic: Vamps Don’t Really Suck, Per Se | 9/25/2009 | See Source »

Domna has always remained loyal to the University’s first-year students, whom she affectionately refers to as “my freshmen.” In an interview, she said that getting to know Harvard’s new blood??“talking with them and laughing with them and joking with them”—has been her favorite part...

Author: By Molly M. Strauss, CRIMSON STAFF WRITER | Title: Annenberg Gatekeeper Steps Down | 6/25/2009 | See Source »

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