Word: bloom
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Dates: during 1970-1979
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...like mass group therapy," says John Bloom, the 1520s creator, in explaining why people spend $7.95 for the privileges of eating a mediocre meal and taking part in the far-out activities. "This is a place where people can release their inhibitions. It's all in fun and we don't let it get out of hand...
...fast-talking Englishman, now 40, who made and lost a fortune selling washing machines, Bloom had been struck by Comic Don Rickles' ability to insult Las Vegas audiences and make them love it. Audience participation, he decided, could spark interest in the little-known medieval restaurant he had opened in London. The serendipitous broadcast of The Six Wives of Henry VIII on British television provided some free publicity, and after Bloom added the nonstop entertainment, the prototype 1520 became a success...
...Been Working on the Railroad and The Star Spangled Banner. But despite the anachronisms and some complaints from outraged feminists and men who did not like the way their dates were manhandled in the stocks, the 1520 has been packing them in since it opened three months ago. Bloom and his associate, Writer Daud Alani, have already opened a second branch in Los Angeles and plan to go nationwide next year. They hope to make a profit while they can, for there is an obvious limit to the amount of repeat business the 1520s will do. "You could not come...
...work. Son of a California mathematics professor, his career as a painter began in 1943 when, age 20, he was bedridden from a spinal injury sustained when his Air Force fighter crashed. The hospital was on the coast of California, and Francis spent weeks watching the shift and bloom of light on the Pacific, and its reflections on the ceiling-projected, as it were, on a blank canvas. Here Francis discovered a motif to which he would constantly return: the specific qualities and the substantiality of light. It permeates his earliest grand-scale painting, Opposites. 1950: the radiance flickers through...
...Jeremy Larner at a small French restaurant on Boylston Street. As I had given the film an unfavorable review (which he of course disagreed with). Larher had not been particularly anxious to talk. But he did, in fact, provide amiable enough. Looking very much as you imagined Hector Bloom, the Jewish college basketball star of Larner's first novel, Drive. He said, he spoke with an engaging humor to his edgines, though the presence of a taciturn political friend, who contributed an occasional grunt or mumble and proved invisible otherwise, was slightly discomforting. The talk began over omelettes...