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Usage:

...banal, but Bartlett attacked this motif from dozens of stylistic angles and levels of attention, from Dufyesque silhouettes of color to gaudy calendar-art cliches, from cautious realist scrutiny to Warholian transcriptions of holiday-snapshot cropping. Sometimes the scene is light and sun-drenched, sometimes it is drowned in bloom and speckles, or elided by pastel smudges, or darkened into an eerie nocturnal calm. There is no favorite medium; Bartlett uses gouache, watercolor, ink, pastel, crayon, oil and pencil with almost equal facility...

Author: /time Magazine | Title: Art: Fluent, Electric, Charming | 12/30/1985 | See Source »

...clubs are appealing their assessment to the State Appelate Tax Board, where they will argue that the clubs should be classified as residential properties because of the exemption for fraternities and sororities, said Arnold Bloom, the chief attorney for the clubs...

Author: By Jonathan M. Moses, | Title: Final Clubs Appeal Tax Rate | 9/24/1985 | See Source »

...case was originally scheduled to go before the Tax Board in June but has been rescheduled until October because the city and the final clubs have not determined whether the cases should be tried separately or together, Bloom said...

Author: By Jonathan M. Moses, | Title: Final Clubs Appeal Tax Rate | 9/24/1985 | See Source »

...issue will be decided over the issue of whether the clubs fall under the fraternities loophole, Bloom said, and therefore one case is all that is necessary...

Author: By Jonathan M. Moses, | Title: Final Clubs Appeal Tax Rate | 9/24/1985 | See Source »

...George Segal the actor. And this says nothing about the lynch mob led by a lady driving a Mister Softee truck (Catherine O'Hara) that blames him for the thieves' depredations. Or about Paul's only means of avoiding their wrath, which is to permit a demented sculptor (Verna Bloom) to plaster-cast his entire quaking self. Oh, well, if you can't be an artist, might as well be a work...

Author: /time Magazine | Title: Cinema: Mean Streets in Nighttown After Hours | 9/23/1985 | See Source »

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