Word: bloomfield
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WELL, I LIKE a lot of the new groups. The Beatles. The Beards, whatever. The musicians are better--Mike Bloomfield, Eric Clapton, Butterfield, Jimi Hendrix. "The studios are better": 12-72 track, incredible microphones, stereo. Stereo wasn't even invented when Elvis first came out. "The engineers are better": Shadow Martin. Phil Spector. Jimmy Miller. George Martin...
...Alexander's article "Power at Harvard," in the CRIMSON of November 26. Dean Ford, in early October of this year, gave the English Department as much money as it requested for the zeroxing of students' writings in English C for the two terms of 1968-69. Morton W. Bloomfield Chairman, Department of English
...like a man in the middle of the Atlantic in winter in a 3-ft. canoe." Experience warned him that the simple scheduled plans were too good to believe. Humphrey was to arrive in Hartford after midnight, catch some sleep, and next morning chat with suburban housewives in nearby Bloomfield. Then he was to fly in his Boeing 727 to Stratford for a speech at the Avco Lycoming plant, ride in an hour-long motorcade to Waterbury for a rally on the green, and finally return to Stratford for a flight to New York. Murphy had seven days to make...
...same brilliant expression, and is imbued with all his earlier philosophy. It's only the sound that's changed from big-city to country. About this being an Okie record: there are three ways Dylan has made the sound different. 1) The music; he's cut out Mike Bloomfield and the electric guitars, and put a drum and bass beat through the whole record that makes all the sound vaguely similar. 2) The language: he puts his songs in the country idiom (instead of the hip) by using a lot of twisted cliches, saying "whom" a lot instead...
...particular songs of the album it will help us to look especially at how Dylan is using his voice." Landau is too used to writing about rock sound. Dylan is always working on his message. The music helps him say it, but it's only the process. Mike Bloomfield was quoted in an interview in Hit Parader magazine as saying that Dylan didn't really care what the music was like when they were recording Highway 61. He would just give them a few chords, Bloomfield said, and let the band work out the rest on their own. Dylan...