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When the results were announced, no man in Manhattan walked on lighter feet than portly, grey-haired Kermit Bloomgarden, 53, the first producer (The Music Man; Look Homeward, Angel] to win two Critics Circle awards in one season. He was also a walking contradiction to his own observation that "any man who becomes a producer is a damned fool." Two Bloomgarden hits of 1955 and 1956, The Diary of Anne Frank and The Most Happy Fella-also Critics Circle award winners-still have road companies going strong. "Together, the four shows net over $40,000 a week," grins Bloomgarden...

Author: /time Magazine | Title: The Theater: Good Pickings | 4/21/1958 | See Source »

...celebrated gaming booths of NBC's Twenty One last week rocked under a rhubarb that had even the head croupiers puzzled. Playing their sixth tie game in four weeks, at a husky $3,500 a point, Greenwich Village Artist Jim Snodgrass, 34, and Medical Research Consultant Hank Bloomgarden, 28, both answered correctly a ten-point question on European royalty, then went for the tough eleven-pointer: Name the five groups of bones in the human spinal column (see diagram). A onetime pre-med student, Snodgrass began with a noun, "sacrum," was ruled out by M.C. Jack Barry, whose answer...

Author: /time Magazine | Title: Television: Battle of the Bones | 6/3/1957 | See Source »

Within minutes, NBC was being bombarded with calls and wires, mostly from doctors who protested that Bloomgarden had also given a noun, "coccyx," instead of the adjective "coccygeal." Either both contestants were right or both were wrong. Editors of the Encyclopaedia Britannica admitted to an inconsistency in the quiz answers that they had approved for the show. Barry and Co-Producer Dan Enright put heads together, agreed that both contestants had missed, and called for a rematch-again at $3,500 a point-next week (Mon. 9 p.m. E.D.T.). Although Bloomgarden must relinquish claim on last week...

Author: /time Magazine | Title: Television: Battle of the Bones | 6/3/1957 | See Source »

...still, like a piteous Prometheus in the midst of her tormentors. The tableau breaks, and the trial, which is the metaphor the action moves in, takes its course. In a matter of moments it is clear that the London fiasco is not to be repeated by Producer Kermit Bloomgarden. For that production Christopher Fry had done a literal translation from the French. For this one Lillian Hellman has cut 43 pages of Anouilh -and ennui. What is left, while faithful to the original in scenic form, has been trenchantly rewritten by one of the ablest theater minds...

Author: /time Magazine | Title: The Theater: A Fiery Particle | 11/28/1955 | See Source »

...Autumn Garden (by Lillian Hellman; produced by Kermit Bloomgarden) is a strikingly new kind of Lillian Hellman play. The plot is not at all striking and is secondary to the people; the people are pretty average people, neither vipers nor vixens. The scene is the South-an elegant summer boarding house run by a wellborn, middle-aged spinster. The guests are largely people of her own generation and kind-fiberless, frustrated people: a quiet, cynical drinker who has never married; a quiet-seeking general married to a fool; a confused young man halfheartedly about to marry the spinster...

Author: /time Magazine | Title: The Theater: New Plays in Manhattan, Mar. 19, 1951 | 3/19/1951 | See Source »

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