Word: bloomingly
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...Indonesian cleric, are like jewels. TIME's Indonesia stringer, Tatap Loebis, and I smiled. We are both women. Being compared to jewels is nice. Muhamad Ikhwan, who runs a conservative Wahhabi-style Islamic boarding school in the eastern Indonesian city of Makassar, continued. "Westerners treat women like flowers. They bloom, and everyone can see they are beautiful. But then they fade quickly and die." The Wahhabi treatment was different: "Women are like precious jewels," Ikhwan repeated. "They should be kept in a box, where only a special few can see them and cherish them. Then they will last forever...
...trying to do is be humorous about our Vice President in order to get a large student movement to boot him from office,” Boyd said. “Otherwise we are going to be screwed.” —Staff writer Noah S. Bloom can be reached at nsbloom@fas.harvard.edu
...middle of the circles, chain flails gripped in both hands. The chest pounding grows stronger, quicker and louder. Following the rhythm, the men in the middle crouch down, spring from the ground and use the full force of acceleration to slam the flails down on their exposed backs. Bruises bloom, dark and malevolent, but their faces register no pain, only grief, or an almost otherworldly conviction...
...beauty of some things prevails even in an age of overexposure. Chteaux of the Loire (Vendome; 152 pages; $45) is a splendid case in point. Photographer Daniel Philippe has looked again at 19 of these fairyland fortresses, both from the sky and the ground, in snow and in bloom. There is formidable Chambord, which may have been planned by Leonardo da Vinci, and delicate Azay-le-Rideau, the creation of a banker who went too far when he mixed state money with his own. The aerial exposures suggest that some of the chteaux were designed for the eyes...
...rehab before they're out of their teens, when British royals rut as strenuously as rock stars and a President gets impeached for accepting fellatio from an intern, deportment is a Victorian concept. Even in the 50s, a decade of such screen seraphs as Vivien Leigh, Claire Bloom, Grace Kelly and Jean Simmons (William Wyler's first choice for the role of Princess Ann), Hepburn was a glorious anachronism. She represented a moral and emotional aristocracy that no longer exists - if it ever did, outside of her pictures...