Word: bloomings
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...never mind. If reading the works of 26 authors proves too arduous a prospect, Bloom offers a final shortcut for the canonically hungry: "Shakespeare is the secular canon, or even the secular scripture; forerunners and legatees alike are defined by him alone for canonical purposes...
...this score, the Common Reader is likely to be overwhelmed by The Western Canon. At the end of his book Bloom ticks off more than 3,000 works by some 850 authors, ranging from Gilgamesh (anonymous) to Angels in America (Tony Kushner), that merit an educated person's attention. Good grief. Even if each work could be read in a day -- and most can't -- boning up on the Western Canon as set forth by Bloom would take nearly 10 years uninterrupted by any of ^ the mundane details of life, such as jobs, friends and loved ones, and most meals...
...what are these lists there for? Chiefly, it appears, to spark controversy and sales, particularly when Bloom gets around to handing out pass-fail grades to 20th century writers (see box). But for all the prepublication hype it has aroused, Bloom's back-of-the-book grab bag of ancient and modern writers forms the least interesting part of The Western Canon...
...Bloom does not really expect his Common Readers to master 850 or so writers. He wants them to pay close attention to the 26 discussed in the bulk of his book: Shakespeare, Dante, Chaucer, Cervantes, Montaigne, Moliere, Milton, Dr. Johnson, Goethe, Wordsworth, Austen, Whitman, Dickinson, Dickens, George Eliot, Tolstoy, Ibsen, Freud, Proust, Joyce, Woolf, Kafka, Borges, Neruda, Pessoa and Beckett. This grouping, Bloom's elite among the elite, holds few surprises: an obligatory academic obscurity (Portuguese poet Fernando Pessoa), four women and a majority of D.W.E.M.s. (Bloom gives canonical status to Homer and the major Greek dramatists and philosophers...
...page 24) in The Western Canon is a little like opening a mystery novel and being told straight off that the butler did it. Bardolatry took root shortly after the dramatist's death in 1616, flowered in the 18th century and has flourished largely unchecked ever since. If all Bloom has to say, as the 20th century winds down, is that Shakespeare is the best, the champ, numero uno, then the necessity of his doing so, at such length, seems dubious...