Word: blooms
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Dates: during 1970-1979
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...House. Christopher Hampton adapts Ibsen's play and refuses to capitalize on its Feminist aspects; he doesn't have to, they are built in. But when Patrick Garland brings it to the screen he cops out in the film on what is most effective in the play. Nora (Claire Bloom) has that sort of perfect fine-featured face with lines of tension at the edges that tell you about the anxiety she suffers in living up to the Victorian ideal of feminity: women should be seen and not heard. She finally slams the door on it and, to boot...
Christopher Hampton's adaptation transcribes rather than transcends Ibsen's antique dramaturgy, while Patrick Garland's direction is curiously uninflected, so the whole enterprise gives off the air of a respectful college theatrical. As Nora Helmer, Claire Bloom seems to substitute aspiration for inspiration-a windup doll whose spring is not wound tightly enough under the tensions of dull domesticity in the early going, and who completely runs down in the final confrontation with her husband. As her antagonist, Anthony Hopkins acts more like a spoiled adolescent than an oppressor to reckon with. A quartet of worthy...
...Gone With the Wind just once again because she loves Clark Gable. Allowing for variations of costume and language, these domestic scenes could be happening today, anywhere from San Diego to the Black Sea beaches. Hannah Arendt's famous phrase about the banality of evil acquires a fresh bloom...
Israel's unique history has somehow imbued its citizens with the notion that there is practically nothing they cannot do, from flying supersonic jets to making gardens bloom in sandy deserts. Visitors to the country are constantly prompted to remember Israel's proud past. Let no one forget, the Israeli seems to say, the incredible war of 1948 in which the forces of one tiny nation defeated six invading Arab armies. Let no one forget the Six-Day War, when the Egyptians literally abandoned their shoes as they tried to get back across the Suez Canal, leaving their...
...chateau itself, looming against the skies of Languedoc, looks like the scene of a Gothic melodrama. Turkeys roost on the veranda, and assorted dogs and cats prowl the courtyard where lilacs bloom. In an unburied coffin lies the late Baron Léonce de Portal, whose family title dates back seven centuries. The new baron, Jean-Louis de Portal, has been holding off the police at rifle point for more than six weeks...