Word: blooms
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...Pantagraph's strange ban has been in force so long that no one on the paper remembers when it began, or why. Some say it dates from the 1880s, when, for the first time, regular word of extra-Bloom-ington events came stuttering in over the newfangled press service telegraph and-in Bloomington, anyway-took a greedy grip on Page One. Today the sight of a local story on the front page would perturb editor and reader both...
...fluidly mounted flashbacks, four separate versions of the event are re-enacted. Up to a point the facts jibe. A bandit (Rod Steiger) has stalked a passing samurai (Noel Willman) and his wife (Claire Bloom) through a bamboo glade, decoyed the husband with promises of buried loot, trussed him up, and raped his wife before his eyes. The samurai is later found dead. According to the bandit, the wife baited him into killing her husband to gain her. The wife swears she killed him to spare him dishonor. Through a medium, the dead samurai claims that he heartbrokenly committed suicide...
...Mielziner's doom-dappled lighting, Laurence Rosenthal's eerily instrumented score, Oliver Messel's turntable forest of disenchantment. Apart from a U.N.-like babel of accents, the brilliant cast often achieves a triumph of mime over matter. Radiant, in white kimono, as netted moonlight, Claire Bloom is part lotus flower, part flower of evil. Noel Willman's samurai is a bred-in-the-bone aristocrat, and Rod Steiger's bandit a bite-to-the-bone outlaw...
...widely admired Japanese movie, is a whodunit about the death of a nobleman in a medieval forest. There are four different versions of the crime, but the solution is left to the audience. Rashomon (opening on Broadway Jan. 27) beguiled Philadelphia with its fine acting by Claire Bloom, Rod Steiger, Noel Willman, Akim Tamiroff, Oscar Homolka. The fable may be inscrutable, but, said Variety, "for some playgoers it is exciting entertainment...
...acting-a common fault in Hollywood's period pieces. Actor Boyer, for instance, falls somewhere between Paris and Hollywood, but wherever it is, it is not New Orleans. And he seems understandably embarrassed by many of his lines-"Death! Ha! Whan eet come, speet een eets eye." Actress Bloom intrudes a British note, and Actor Heston, as a sweet-talking, milk-sopping Old Hickory with a phony Tennessee accent, makes just about the silliest of the screen's counterfeits of the face on the $20 bill. And Actor Brynner does little more than bound about parapets-probably...