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...musical. The Whirl of the World (1913) was an immediate success, and at 26 he was already established as a full-time composer. With production-line efficiency, he turned out 78 more operettas, including The Student Prince (which once had nine road companies going simultaneously), The Desert Song, Blossom Time and The New Moon. His lush, middlebrow tunes ranged from rousing ballads (StoutHearted Men) to glowing sentiment (When I Grow Too Old to Dream) to this year's jukebox favorite Zing Zing, Zoom Zoom, but the standard favorites were the coyly romantic Wanting You, Lover Come Back...

Author: /time Magazine | Title: Milestones, Nov. 19, 1951 | 11/19/1951 | See Source »

...listened as Big Brother pointed out every change in color, explaining which gases and rays were being released. They saw the atomic cloud grow and blossom into the familiar mushroom shape.* When the cloud reached its full height and the dust began to settle, the troops were checked for radioactivity and climbed back into their trucks. The mushroom top broke away and passed under the sun, blotting it out. The trucks rolled forward into the haze and the sour smell of burned cacti and Joshua trees...

Author: /time Magazine | Title: ARMED FORCES: Exercise Desert Rock | 11/12/1951 | See Source »

...river at Nuevo Laredo, with 17 bathrooms, a swimming pool, five-car garage and three bars. For miles around, everyone knows that the house belongs to Chito Longoria, eldest (46) of the five Longoria brothers, who have done more than anyone else to make the once-dry lands blossom...

Author: /time Magazine | Title: AGRICULTURE: The Big Five | 9/10/1951 | See Source »

...overheat. Major Sebille's wingman radioed him to turn back. "I'll never make it," the C.O. answered calmly, "I'm going back and get that bastard." Then, with all six guns blazing, Sebille dived straight into the Communist column; his plane exploded in a blossom of flame...

Author: /time Magazine | Title: National Affairs: No. 31 | 9/3/1951 | See Source »

...movie is hardly more fortunate in its casting. Kathryn Grayson and Howard (Annie Get Your Gun) Keel, playing Magnolia and Ravenal, lift good voices in Composer Kern's buoyant songs, but Actress Grayson is less than entrancing as the belle of the Cotton Blossom, and Actor Keel's impression of a well-born river gambler's courtliness and dash looks like self-conscious make-believe. Ava Gardner, if occasionally out of her dramatic depth, has no trouble looking her part as the sensuous Julie. But she half-whispers Helen Morgan's old numbers (Bill...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 2, 1951 | 7/2/1951 | See Source »

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