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Inanimate objects, too?hand-organs, opera-cloaks, acacia-blossoms???the rare Molnar dramaturgy makes almost articulate. Much is said about the Molnar technique?brilliant, original. In The Play's the Thing the curtain rises on characters discussing the best way to begin a play. In Mima he builds up his climax by repeating a scene three times. In both these plays, in most of Molnar, there are several planes of reality, arranged provocatively and with an eye to permanence...

Author: /time Magazine | Title: Books: Hungary's Molnar | 7/22/1929 | See Source »

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