Word: blossoms
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...surrealist incongruity. One sees a thing nailed down with a decisive tap, as when Lee Friedlander, a deceptively casual imagemaker, positions his eyeline on an ordinary suburban street to get a flowering shrub directly behind a lamppost, so that the street light seems to be emitting great sprays of blossom in broad daylight. In one way, Elliott Erwitt's New Jersey, 1953, is a most plainly observed view by a roadside: sky, bushes, bus stop. But the cannon muzzle poking over the top of the bushes removes it to another tract of the imagination. For a moment the areas...
When his grandson was born in Jerusalem, Alexander Klausner told him that one day Jewish Jerusalem would blossom into a true city, true probably meaning European, with a river and a cathedral and thick woods round about. This boy was expected to be a new leaf, an Israeli tough and simple, cleansed...
Spring is, of course, nature's season of liberation, of the Japanese cherry trees bursting into pink blossom along the Tidal Basin and the great Vs of black-headed geese soaring northward toward Canada. But it does not come easily or without risk. Easter brought to Boston a snowfall of 1.3 in., a last dusting on the 85.1 in. that have engulfed the city during the past winter, the worst in 30 years. The day after the seagulls returned to International Falls, Minn., a traditional sign of spring in the coldest town in the lower 48 states, a fierce...
...Sofu Teshigahara has written. "The silent beauty of a flower surpasses them all. Among beautiful women there are said to be silent beautiful women, but none can compare with the silent flower." Sofu (the name means Blue Wind) is revered for such views in a land where a beautiful blossom is a benison. Round, gnome-like Teshigahara, 77, is Japan's most innovative and successful master of the ancient art of ikebana, which bears about the same relationship to flower arranging as usually practiced in the West as Rachmaninoff to country rock. Within that art, Sofu is commonly referred...
...century; it started with floral offerings laid at the altars. Sofu has made it a highly secular art and brought it into the age of abstract expressionism. His Grass Moon school has gone beyond the simple (but stunning) classical ikebana arrangements of a bent twig and a dewy blossom arrayed in a water vase or a bamboo tube. In containers that may be ceramic sculptures or Chinese wine kegs, Sofu will blend the blooms with shells, stones, iron, leaves, driftwood, dried grass, dead flowers or dyed feathers. Explaining his break with tradition, he once proclaimed: "We should always look forward...