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...Emily Morison Beck, daughter of Historian Samuel Eliot Morison, has reverted some what to Bartlett's original concept of familiarity, and what is familiar today is pop culture. So step aside Shakespeare - a few inches, anyway - to make some room for Bob Dylan ("The answer, my friend, is blowin' in the wind"), Janis Joplin ("Down on me, down on me/ Looks like everybody in this whole round world/ Is down on me"), Timothy Leary ("Turn on, tune in, drop out"), Wladziu Valentino Liberace ("I cried all the way to the bank"), Yogi Berra (";The game...

Author: /time Magazine | Title: Education: Updating John's Sockdolager | 11/3/1980 | See Source »

...technique, but when they cooked they cooked with gas, and Rob Stoner's bass lines and the spark of Scarlet Rivera's soaring violin often made you forget how muddy the drums were, and if they didn't Dylan and Joan Baez generally opened the second act with "Blowin' in the Wind," and if that didn't satisfy you had no right to sit there and should have given your ticket to someone who would have appreciated...

Author: By Joseph Dalton, | Title: Mr. Tambourine Man Goes to Hollywood | 4/6/1978 | See Source »

Then there's always this guy from down the hall. He plays a little folk guitar, and sings (sort of), and if you're not doing anything, why he'll be only too happy to play a chorus or two of "Blowin' in the Wind" for you, although he could do with a new set of strings...

Author: By Peter R. Melnick, | Title: Poet at Passim's | 12/1/1977 | See Source »

...talent. Home Plate is close, yet still off base. Turning away more and more from the eloquent blues guitar that was the mainspring of her early success, Raitt draws most of her musical energy in her sweet husky voice. Songs like Sugar Mama, Good Enough and I'm Blowin' Away are good. However, she squanders her ability on soap opera ballads like My First Night Alone Without...

Author: /time Magazine | Title: Music: Top of the Pops | 12/15/1975 | See Source »

Free and Loose. It became apparent that Dylan, now 34, has not been this free and loose since the days when he was putting folk rock on the map, way back in 1965. He seemed most carefree when he and Baez joined to sing such old Dylan classics as Blowin' in the Wind and I Shall Be Released. And why not? As they put their heads together in front of the mike, Joan would put her arm around Bob, mop his brow, kiss his cheek. Most important were several new songs that indicate that the creative fires...

Author: /time Magazine | Title: Music: The Masked Man | 11/17/1975 | See Source »

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