Word: blowingly
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Dates: during 2000-2009
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DIED. CARLO DI PALMA, 79, cinematographer and maestro of movie lighting; in Rome. Working with director Michelangelo Antonioni, he obliterated the palette of realism by painting the grass yellow in The Red Desert and greener than green in Blow-Up, creating two of the most influential color films. In the mid-'80s, he ushered Woody Allen into a visually rich period with subtle lighting in such films as Radio Days and Hannah and Her Sisters...
...team of the four best surfers available at the time along with four support personnel wherever in the world big waves are developing. "Big waves need a big storm with winds preferably over 70 m.p.h., and you want it to last two to three days, ideally blowing toward you," he says. The best waves come from fierce winter storms in the north Pacific that can cover thousands of square miles. Hurricanes in the Atlantic can pack much faster winds, but they cover only a couple of hundred square miles and blow in a circle, generating short, choppy waves...
...seats. The LDP, meanwhile, won only 49-falling embarrassingly short even of its modest 51-seat goal. Although outright control of the government was never in question because the LDP retains a majority of the parliamentary seats that weren't up for election, the outcome has been a major blow to Koizumi, one that may cripple his ability to push through many of the financial-reform initiatives he has declared crucial to the remainder of his term (which is scheduled to end in the fall...
...DIED. CARLO DI PALMA, 79, Italian cinematographer; in his native Rome. Known for his innovative use of color and light, Di Palma made his reputation with Michelangelo Antonioni's The Red Desert and Blow Up, and later collaborated with Woody Allen on 11 movies, including Hannah and her Sisters...
...extra panels, or even entire two-page spreads, just to linger on the environments. He has such a mastery of the form that while providing every necessary panel to tell the story he has extra space just for breathing room. A temple sits stoically in the woods, or flowers blow in the breeze, or a moth gets caught in a spider web. Tezuka may also be the supreme master of dynamic yet readable layouts - a talent that reaches its pinnacle in "Karma." No two pages have the same design. Particularly frenetic sequences inhabit small, jagged panels that work like...