Word: blue
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Jarding and Saunders argue that the Democratic Party is ignoring an important constituency. “Bubbas”—distinct from “rednecks”—are blue-collar in outlook, devoted to God and family, and keenly patriotic. They are also concerned with conservation...
...invaded our houses to “meet people” and plan out the next three years of misery. We tried to convince all of the seniors who had transferred since freshmen year that they were supposed to eat in Dudley House with all the stinky lesbians with blue hair, but unfortunately most people we know at this school have learned to generally ignore everything we say. While we grubbed mad Chickwiches and watched hordes of d-bags pretend that they were “still tight with Domna after all these years...
...says. The seven clusters of gray concrete that compose Charlesview Apartments contrast sharply with the white finish of its neo-Georgian neighbor, Harvard Business School (HBS). The stairwells smell like rotting metal and the concrete steps are worn. American flags and Easter baskets adorn the scratched red and blue doors. Bicycles and television buzz overflow into the landings. Inside the apartments there is wall-to-wall carpeting, a couch, a television. Some contain two stories and many open onto private decks. In 1995, the U.S. Department of Housing and Urban Development (HUD) identified the apartments as “troubled?...
...Simpson put some of her models in outfits with matching boots, either knee- or ankle-height, all high-heeled. No one did anything with an armadillo. The hit of the week, as much for his hot running commentary as for his clothes, was Oleg Cassini. NATTY IN A NAVY BLUE, NIPPED-IN-WAISTED SUIT, CASSINI PEPPERED HIS COLLECTION WITH PATTER ('I got this British accent when I became successful'), describing his clothes with the tact of an unemployed salesman ('This long dress is for girls with bad knees'). Best of his clothes were the suits and suit ensembles, made mostly...
...Ruthie B. Birger ’06, was easily the recital’s most energetic performance. In this quirky number, the dancers stomped and leapt about the stage in perfect unison to the tune of Mongo Santamaria’s world-pop rave-up “Afro Blue.” As thrilling as these antics were, they raised troubling questions about the propriety of cultural appropriation that were not answered, or even addressed, in the context of the recital. “Shadows,” choreographed by Brenda Divelbliss, a Harvard Dance Program instructor, conformed most...