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...over livestock in dusty markets and purchase blades from blacksmiths whose families have stayed in the craft for centuries. The faces of its Uighur inhabitants, a Turkic Muslim ethnic group, tell of Xinjiang's history as a crossroads for caravans and civilizations: an astonishing array of gray, hazel and blue eyes, fringed by brown or black or even blond hair. Marco Polo journeyed through these parts and noted, along with generations of other travelers, not just the stark beauty of the land, but the diverse cultures that thrived here. (See TIME's photo essay "The Shifting Sands of Xinjiang...

Author: /time Magazine | Title: Shifting Sands in China's Stark Xinjiang Region | 10/19/2009 | See Source »

...scenes of an imaginary medieval Russia rendered like mosaics in bright lozenges of color. It wasn't until the summer of 1908, when he discovered the little town of Murnau in the Bavarian Alps, that he began to uncouple his pictures from any sources in the visible world. In Blue Mountain, which he began the following winter, he assigned the mountain an unearthly shade of indigo and turned the flanking trees into almost free-floating pools of pigment. With one eye on the crackling Fauvist pictures that Henri Matisse and André Derain had exhibited in Paris a few years earlier...

Author: /time Magazine | Title: The Worlds Within | 10/19/2009 | See Source »

...Kandinsky, the horsemen in Blue Mountain had a symbolic meaning as emblems of expressive freedom. In 1911, when he formed an artists' group with Franz Marc, Alexei Jawlensky and a few other like-minded painters, they called it the Blue Rider. (Blue signified spirituality to him.) And by that year, with his succinctly titled Picture with a Circle, Kandinsky was galloping full speed in the direction of complete abstraction. But for him, abstract images were also representations of a kind, correlatives of spiritual realities. He was an admirer of the Russian mystic Madame Blavatsky, founder of Theosophy, a stew...

Author: /time Magazine | Title: The Worlds Within | 10/19/2009 | See Source »

...grant that a lot of O'Keeffe's work invites those readings. When you're faced with the labial purple coils of a painting like Music, Pink and Blue No. 2, from 1918, what else can you think about? But what's so refreshing about the Whitney show - which runs through Jan. 17, then moves to Washington and Santa Fe, N.M. - is the way it spares us O'Keeffe the Earth Mother and points us back to the endlessly inventive formalist she remained, intermittently, to the end of her life...

Author: /time Magazine | Title: The Worlds Within | 10/19/2009 | See Source »

...work to do if it wants applause in 2016. True, athletes will compete in such iconic venues as the Maracanã soccer stadium--the largest in South America--while rowers and triathletes will ply Rio's blue waters beneath the outstretched arms of the titanic Christ the Redeemer statue. But many of the venues for the 2016 Games--including the João Havelange Olympic Stadium, where track-and-field events will take place--don't meet IOC standards or will require extensive renovations. Nearly 20 will need to be built from scratch. Cariocas, as Rio's residents are called, are still...

Author: /time Magazine | Title: Spotlight: Rio's Olympic Win | 10/19/2009 | See Source »

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