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Word: bluegrass (lookup in dictionary) (lookup stats)
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...theatrical--five minutes of screaming, shouting, chanting applause, with a personal attempt by the MC that finally brings them back, and into "El Tonto de Nadie, Regressa," 27 minutes that proves their musical expertise. The song is a montage of tempo changes, and a collage of guitar styles, blues, bluegrass, and pure country. Paul's lead guitar structures and organizes the piece. Timothy Schmit's sense of the bottom of the sound, and the variety of things that can be played, while maintaining the all-important bottom, is staggering, as well as his instinctive knowledge of Paul's tendencies...

Author: By Frederick Boyd, | Title: Child's Claim to Fame | 8/15/1972 | See Source »

...BOSTON AREA Friends of Bluegrass and Old-Time Country Music apparently thought that not enough people knew about Doc Watson to warrant selling tickets in advance of the concert. One can hardly blame them for wanting to keep him to themselves. Still, a long line was left outside when Sanders Theater was filled, and those inside saw what more are fast discovering-that Doc Watson and his son Merle, from Deep Gap. North Carolina, play some of the most skillful and exciting authentic bluegrass and country music around...

Author: By Peter M. Shane, | Title: Sure-Fire Medicine | 4/25/1972 | See Source »

...style grows naturally from an Appalachian bluegrass tradition. He has mastered not only breathtaking exhibitions of flat-picking, but also a remarkable finger-picking technique, using his thumb to play a moving bass-a style he picked up from Merle Travis (after whom Merle Watson is named). His repertoire relies heavily on traditional ballads, country blues, and love songs, but his performance at Sanders Theater, like his new Elementary Doctor Watson!, included some more modern music which he interpreted just as effectively...

Author: By Peter M. Shane, | Title: Sure-Fire Medicine | 4/25/1972 | See Source »

...Deep River Blues," which gave Doc a chance to show off his finger-picking expertise. "He Had a Long Chain On," a ballad adapted from a Civil War legend, reemphasized his wide-ranging skills in vocal interpretation and the historical lines running through so much good country and bluegrass music. The Watson's duets on guitar and banjo were spectacular, as was Doc's classic, lightning-fast playing on "Black Mountain Rag." The flawlessly coordinated performances of father and son produced a sound rich enough to have emanated from half a dozen instruments, while unified and clear enough to have...

Author: By Peter M. Shane, | Title: Sure-Fire Medicine | 4/25/1972 | See Source »

...grown up listening to country music in New York in the 1940's. Tracy was playing guitar by the age of 10 and later learned fiddle and banjo. His membership in the group added a decade on either side of its repertoire by playing both unaccompanied ballads and early bluegrass...

Author: By Nancy Talbott, | Title: Mountain Music, Southern Gestalt, and the Ramblers | 1/6/1972 | See Source »

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