Word: blume
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WHEN I was a small child I loved to read. I read everything I could get my hands on from Nancy Drew Mysteries to Judy Blume. As I continued on in school I found time and time again that my desire to submerge myself completely in the fantasy world of the novel was never quite fulfilled. While I could read anything during my free time, the scope of the novels I read for academic purposes was severely limited. I frequently found myself asking teachers to make an exception so that I could do outside reading projects on the likes...
...perhaps to abuse of other substances as well. There may also be a psychological vulnerability. Experts dismiss the popular idea that there is a set of personality traits, say, low self-esteem and a streak of perfectionism, that puts people on the path to dependency. Explains Dr. Sheila Blume, director of a treatment program at South Oaks Hospital in Amityville, N.Y.: "There is no evidence of a single addictive personality type. You cannot go to a class of junior high kids and pick out who will become an addict." Nonetheless, addicts do have a common pattern of behavior. Observes Blume...
...Love and Money and Exposed, Toback got high on violence of word, motive and deed, where every roll of the dice can reveal the snake eyes of death. Now, with Molly Ringwald as his star and the lure of a PG-13 rating, Toback comes up with the Judy Blume version. Robert Downey (desperately charming) is a young man on the perpetual make; Ringwald (way too pouty) is his mysterious prey, willing to bet her future on a single game of blackjack. With its saucy patter, crisp editing and brazen sentimentality, The Pick-Up Artist is Toback's first conventional...
...that Judy Blume is writing for grownups, we must regard John Hughes as her successor. His movies, like her young-adult novels, have good qualities. He knows what the teens' Top 40 moral issues are, and he places his stories in palpably realistic contexts. Not only do his kids speak up-to-the-minute adolescent idiom and illustrate the latest dress code perfectly, they attend clangorously class-conscious public high schools, whose unexamined values the protagonists must always challenge -- and defeat...
Here is a movie about twelve-year-olds that was made for 40-year-olds. It's The Hardy Boys as filtered through the sensibility of Judy Blume. It's The Goonies with angst but without the pirates. It's S.E. Hinton's rewrite of Leave It to Beaver. It is, in other words, a self-conscious elegy to the reckless dreams of youth. The film's four young friends -- sweet, smart Gordie (Wil Wheaton), take-charge Chris (River Phoenix), feisty Teddy (Corey Feldman) and fat Vern (Jerry O'Connell) -- are forever stopping in their tracks to proclaim...