Word: blur
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Dates: during 1940-1949
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...engineman, were dead. Around them, like spilled matchsticks, were the baggage car (six dead) and the twisted Pullmans. In one, a rabbi whose legs were pinned under shapeless rubble murmured prayers for the injured and dying. Near him, a Red Cross worker chattered and sang to a blur of protruding arms and legs and bloodstained pillows while she tried to free her hand from a crushing weight. In another mess of metal, a soldier whose uncle lay dead near his feet quietly sipped water while he waited for rescuers to cut him free with acetylene torches. Near by, eight circus...
...last week: "The head of Christ has nearly vanished. The faces of Philip and James the Elder appear to be completely corroded and are covered by a layer of saltpetrous calcinate which threatens to spread over the entire fresco. From a few feet away the apostles are an indiscriminate blur. The landscape originally visible in the background has disappeared...
Well, said Acme Newspictures, it seems there was a grass-eating, 50 m.p.h. Gazelle Boy-and here's his picture to prove it. At the moment, he's standing still; but at full speed he'd just be a blur. Sure there was a Gazelle Boy, said the U.P.-and here's an eye-witness story by his captor, one Prince Fawaz el Shaalan. A lot of U.S. newspapers and magazines* printed the picture with goggle-eyed captions telling how a jeepload of hunters had cut him out of a herd of gazelles in the Syrian...
...picture itself may give a clearer idea than all this of why such things happen, but only under the most patient analysis. Actually, the plot's crazily mystifying, nightmare blur is an asset, and only one of many. By far the strongest is Bogart, who can get into a minor twitch of the mouth the force of a slug from an automatic. Another is Producer-Director Howard Hawks's fellow feeling for the Chandler world: even on the chaste screen Hawks manages to get down a good deal of the glamorous tawdriness of big-city low life, discreetly...
...Often, under Bruce Bliven, the NR was peas-in-a-pod with the Nation and, for a brief period (1935), it adhered to a Marxist line.* By the time Willard Straight's son joined the staff, Croly's shadow on the magazine had faded to a faint blur...