Word: blurless
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Translating classics is a little like skywriting. The effort is high-flown, and the blurs are dramatically visible. Remarkably blurless are two new translations: one, a tragedy, Racine's Phaedra, done by Robert Lowell; the other, a comedy, Beaumarchais' Figaro's Marriage, by Jacques Barzun. Coming after Robert Fitzgerald's superior modern rendering of The Odyssey (TIME, April 14), they suggest a boomlet in good translations...
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