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...works, and an aura of newness shimmers about Kesey and the Pranksters. I believed myself to be in the presence of some new prophet, of a new and radical insight. But then, a moment away from the presence of the style, and the outlines of the event began to blur, the figure of Kesey himself became insubstantial. In the end the Christ-like robes Wolfe fashioned for Kesey are much too large. We are left with another acid-head and a bunch of kooky kids who did a few krazy things...

Author: By Jay Cantor, | Title: The Electric Kool' Aid Acid Test | 10/19/1968 | See Source »

Suspended Sensibilities. But back home during summer vacation, Jimmy finds that the subjects of those slides shrink, blur and become distorted. He half realizes that he is beginning to see old friends, new cars, his father and the N.Y. Yankee., through the eyes of an English schoolboy. He decides that the world of tea and Sopworth isn't so bad after all-until his re-entry into it, when he is buffeted more harshly than ever. Crikey! Now his sensibilities are hopelessly suspended somewhere in mid-Atlantic...

Author: /time Magazine | Title: Books: Sheed's Specters of the Past | 9/20/1968 | See Source »

...youngster in The Bronx, Composer Stanley Silverman was fascinated by the blur of sounds he got from spinning a radio dial. Pop tunes, speeches, symphonies, soap operas-all jostled each other in a way that struck Silverman as symbolic. "I decided," he says, "that life itself is like switching the dial of a radio...

Author: /time Magazine | Title: Opera: Spinning the Dial | 8/16/1968 | See Source »

...frame a snow-banked brook and barnyard, now a pile of upturned boat hulls rotting in the winter sun. The country store, the local garage with the inevitable Coca-Cola sign and the railroad tracks piercing through the barren hills like a steel spine flash by in a blur of fast cuts. And always there is the distant, forlorn sound of cowbell and gull cry, wind and heaving...

Author: /time Magazine | Title: New Movies: Isabel | 8/2/1968 | See Source »

...case of any concert, there are always nits to pick. Mrs. Harbison and even Levin himself exhibited a tendency to rush and blur the details in more rapid passages. In addition, they both had the annoying habit of building to a climax but somehow giving up or losing concentration before the crucial moment. The result was a large number of fractured phrases and a general sense of frustration. Mrs. Harbison's intonation, like that of the quintet, was frequently poor...

Author: By Robert G. Kopelson, | Title: Mozart-Levin | 5/21/1968 | See Source »

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