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...looping involves more than mindless drudgery, although the nickname "mule train" persists in many caddy yards. During the U.S. Women's Open Bartlett paced off exact yardages before each round and rose every morning to watch P.J. Boatwright, the venerable executive director of the USGA, attend to pin placements. "Every time he found the right place his face would light up with a sadistic smile," Bartlett remembers...

Author: By Robert Sidorsky, | Title: John Bartlett and the Saga of Hagen | 5/1/1976 | See Source »

William Anderson, Marya Merrick, David Tarlo were fined $1000 each for being in a place where a narcotics warrant is served. George Katsiaficas was fined $2000 for the same offense. In addition, William Boatwright was fined $1200, Richard Edelman $2100 and Richard Elwin $2000 for possession of various drugs, ranging from marijuana to opium...

Author: NO WRITER ATTRIBUTED | Title: Judge Viola Sentences Juche Collective; Three Get Jail Terms, All Seven Fined | 1/6/1971 | See Source »

...Elwin, Boatwright, and Edelman were convicted of illegal possession of firearms without firearm identification cards, and conspiracy to unlawfully possess firearms. Boatwright received concurrently-running six-month sentences on both counts. Edelman and Elwin received 30-day sentences on each charge, with the prison terms running consecutively...

Author: NO WRITER ATTRIBUTED | Title: Judge Viola Sentences Juche Collective; Three Get Jail Terms, All Seven Fined | 1/6/1971 | See Source »

...precise ensemble and balance, and spiritual sympathy. But conductor James Yannatos deserves special praise for a manly, unostentatious, dramatically well-proportioned, moving yet suitably chaste reading of this Requiem of consolation for both dead and living. Baritone Thomas Beveridge sang with subtler phrasing and dynamic control than soprano Helen Boatwright, who, while possessing considerably more substantial tone, tended to substitute distracting inhalatory anguish for simpler feeling. The sorrow of her central text resides in the unadorned line, without need for such overt emotional infringement...

Author: By Chris Rochester, | Title: The Concertgoer Ein Deutsches Requiem | 11/19/1969 | See Source »

...interlude, the foreboding of violence is achieved by the integration of threatening crowd noises broadcast through loudspeakers in the rear of the auditorium, sustained, jaggedly dissonant chords from the orchestra, and frantic improvisations from the jazz combo. At the curtain, the Hamburg audience exploded in a great ovation, called Boatwright back again and again for bows...

Author: /time Magazine | Title: New Works: Kafka on Trial | 10/21/1966 | See Source »

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