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...Moreover, there was turmoil at the top of NBC's parent corporation, RCA: three presidents and four chairmen within a decade. It was not until the fifth chairman, Thornton Bradshaw, hired Tinker to run NBC in July 1981 that hope and trust were restored to the network. Says Steven Bochco, whose Hill Street Blues had been spawned by Silverman and produced by Tinker: "The day Grant went to NBC, the industry's attitude toward that network changed profoundly, overnight...

Author: /time Magazine | Title: Video: Coming Up From Nowhere | 9/16/1985 | See Source »

...Dallas or The Love Boat. That's part of the problem of being last--you don't get to bat against your own pitching. There was one thing we could offer good producers, though: that they could make the show they wanted to make." That promise applied to Steven Bochco in 1981 even as it does today to Steven Spielberg. "I started my career directing TV," Spielberg says, "and my shows were often changed by the networks in ways I didn't like. When I returned to TV, I wanted the same freedom I have in feature films. NBC gave...

Author: /time Magazine | Title: Video: Coming Up From Nowhere | 9/16/1985 | See Source »

...majors. Bay City Blues, which premieres Oct. 25 on NBC, is a weekly hourlong show about the fortunes of a minor-league baseball club called the Bay City Bluebirds. Kisses and bases are stolen; suitors and batters strike out; umpires and spouses cry foul. Created by Steven Bochco and Jeffrey Lewis (Hill Street Blues), it is a wry, | funny, poignant and surprisingly grownup show about men who play a boys' game...

Author: /time Magazine | Title: Video: Good Field, Good Hit | 10/31/1983 | See Source »

Maybe the problem is that the show's creators did not follow Sergeant Esterhaus' advice: they weren't careful out there. Writers-Producers Steven Bochco and Michael Kozoll, Producer Gregory Hoblit and Director Robert Butler devised a "cop show" with no screaming car chases, no shining superheroes or disposable villains, no instant solutions to a ghetto full of predators and wary prey. Each episode tracks a day in the life of the policemen, the "blues," of an inner-city precinct. And at the end of each show, plot strands and predicaments are left hanging to be tied...

Author: /time Magazine | Title: Video: Too Good for Television? | 9/14/1981 | See Source »

...actually work for a living, and those people became the focus for some of TV's finest series: Mary Tyler Moore, Taxi, Lou Grant, WKRP in Cincinnati (all by craftsmen who worked for, or had graduated from, MTM Enterprises). In Hill Street Blues (written for MTM by Steven Bochco and Michael Kozoll, and directed by Robert Butler), all is motion and commotion; for Hill Street is part of a nameless inner city, and the Blues are the men and women of the local police precinct. Each episode traces a day in the life of the precinct, as the Blues...

Author: /time Magazine | Title: Television: Midwinter Night's Dreams | 1/26/1981 | See Source »

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