Word: bochner
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...sloppy director would allow O'Toole is never on screen with Cooke, one of the great missed movie opportunities of many years. For his part, Cooke almost succeeds in catalyzing some comic chemistry with the self-absorbed Dunaway, but he is never on screen long enough to succeed. Hart Bochner plays Ethan, a sort of distaff Lois Lane, with as much quirky nervousness as Margot Kidder brought to Lane. The chubby Vaccarro seems to be the only veteran comfortable with her part, which entirely consists of insults and sarcastic variations on "Gee whiz, Selena...
...Perhaps a teen-ager might find a TV sitcom more vividly real than a phenome non that predated his birth. But members of his immediate family are judged in the same way: "Dick Bowden, Todd's father, looked remarkably like a movie and TV actor named Lloyd Bochner." When Todd finds himself in a dilemma, he mentally goes to the movies: "He thought of a cartoon character with an anvil suspended over its head...
...Bisset snipes at the offer, obviously afraid to commit herself to anyone, let alone this infant. Finally, after a conference with Bergen, the sole time we see Bergen at all supportive, Bisset decides to accept. She goes to meet him. There is some hint that her boyfriend Hart Bochner has involved himself with Bergen's daughter (the melodrama again), but the film never clarifies this point. It actually matters little. More importantly, he makes some remark about marriage, and she responds with, "Is that what you think marriage is?" He doesn't answer this question; he can't. In Hollywood...
...plot concerns Thomas Hudson (Scott), a famous sculptor, twice divorced, living in the Bahamas in 1940. Insofar as Hudson's story is a love story, it refreshingly focuses on his love for his three sons by both marriages (Hart Bochner, Michael-James Wixted, Brad Savage). During a long visit by the boys early in the film, he painfully reaches toward them across gaps of isolation, resentment and pride-his own and sometimes theirs. Later, when the oldest son is shot down while serving as a fighter pilot, Hudson has a bittersweet interlude with the boy's mother (affectingly...
...then the sensuous part, the parrot, is a criticism of the structure, right?" Stripped of its jargon, this is a not very surprising revelation that parrots are not perches. But at least one could scratch the parrot, which is not the case with more conceptualized works like Mel Bochner's recent piece at the Sonnabend Gallery: The Seven Properties of Between, 1971-72. It consisted of leaves of paper on which were laid stones, labeled A, B, X and Y, with such observations written below as "If X is between A and B, A and B are not identical...