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...survive he moved to Hollywood and quickly established himself as a character actor in the tough-guy tradition-a kind of punk's Bogart. Today old movie buffs still see him on TV reruns, barking at his moll, Gloria Grahame, Vivian Blaine or Marie McDonald: "I fought I told ya to wait in da car." He ran his luck through nearly 150 movie roles, but by 1941 gangster parts were declared bad for the image of a nation at war. As the clean-cut types moved in, Leonard moved out to the one medium where he could be heard...

Author: /time Magazine | Title: Television: The Punk Who Made Good | 11/19/1965 | See Source »

...manager. But Davis listened only to Davis, joined forces with his father and "Uncle" to form the Will Mastin Trio, soon had his audiences pounding the tables and begging for more as he imitated Sir Laurence Olivier, tough-talked his way through impersonations of Edward G. Robinson, Humphrey Bogart and John Garfield...

Author: /time Magazine | Title: Stars: A Man of Many Selves | 11/5/1965 | See Source »

...films, beginning with Breathless (1961); and the score, which owes its beauty to Beethoven's string quarters and its effectiveness to Godard's superb timing. I've also omitted the film's verbalism. Signs and the printed word play a key part in most Godard films, from the Bogart poster of Breathless to the flashing neon lights of Alphaville, and they crop up again and again in The Married Woman. But why they are used at all is a question that only Godard could answer, and he's probably too busy shooting his eleventh film...

Author: By Martin S. Levine, | Title: The Married Woman | 10/28/1965 | See Source »

Pathetic Absolution. Sherm also had standards, grandly banished any of those guilty of incurring his displeasure. At one time or another the banished list included Humphrey Bogart, who told Billingsley, "You stink," New Yorker Editor Harold Ross, who published an unflattering profile of W.W., Josephine Baker, who complained about slow service and had the added disadvantage of being a Negro, and Jackie Gleason, whom Sherm declared "a drunken...

Author: /time Magazine | Title: Nightclubs: Fall of the Velvet Rope | 10/15/1965 | See Source »

Jean-Luc Godard (Breathless, Contempt), presently riding the crest of the New Wave, began the festival with his most recent film, Alphaville. His hero, Lemmy Caution, is a cross between Dick Tracy and Flash Gordon, spiced with a touch of Humphrey Bogart. (At one point we catch Caution reading The Big Sleep.) Godard lets his imagination run wild as his comic-strip hero battles the computer-king of a super-mechanized science fiction city. Neon signs flash mathematical formulas across the screen, and the computer growls instructions from what looks like a CBS recording studio...

Author: By Daniel J. Singal, | Title: New York Film Festival: Hits and Misses | 10/7/1965 | See Source »

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