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Born. To Lauren Bacall. 37, willowy widow of Humphrey Bogart. and Jason Robards Jr., 39, talented, turbulent Broadway and Hollywood star whom she married last July 4: their first child, a son (she has two children by Bogart, he three by a previous marriage); in Manhattan...

Author: /time Magazine | Title: Milestones: Dec. 29, 1961 | 12/29/1961 | See Source »

...Frank ("Pope") Sinatra and his self-conscious Clansmen were frolicking" in Europe, their onetime matriarch, Lauren Bacall, 36, pulled the imprimatur right out from under them back in Hollywood. "As far as I'm concerned," pronounced the bodkin-tongued widow of the clique's founding father, Humphrey Bogart, "the Rat Pack automatically dissolved in 1956 [when Bogart was fatally ill]. I don't recognize the present group at all; I think their pleasures are rather simple-simple-minded." Was there space for her new spouse, Jason Robards Jr., on Bogie's pedestal...

Author: /time Magazine | Title: People: Aug. 18, 1961 | 8/18/1961 | See Source »

Married. Jason Robards Jr., 39, Broadway luminary of Toys in the Attic and The Disenchanted; and Cinemactress Lauren (The Big Sleep, Key Largo) Bacall, 36, widow of Humphrey Bogart; he for the third time, she for the second; in Ensenada, Mexico, after being balked by legal obstacles (among them: lack of Bogie's death certificate) on a seven-week hotel-hop of London, Paris, Vienna and Las Vegas...

Author: /time Magazine | Title: Milestones: Jul. 14, 1961 | 7/14/1961 | See Source »

BRATTLE: The Bogey festival continues apace. The Maltese Falcon, the current offering, is one of the very best of all. Dashiell Hammett's story has become the vehicle for Bogart's now immortal Sam Spade and Sidney Green-street's now equally immortal Fat Man. Ward Bond and Alicia Cook (and, of course, Peter Lorre). Evenings...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON WEEKLY CALENDAR | 5/26/1961 | See Source »

...have always taken to conceal their fears from themselves have always enjoyed analysis by adolescents, and this review can only be as ostentatious as my traumae will permit it to be (there's embarrassing personal stuff for you); but I offer two thoughts for self-flagellation. First, that Bogart pictures (leaving out of consideration such dismal offerings as Crime Doesn't Pay and High Sierra) need to be more seriously examined for the qualities that allow them to endure beyond their showings in the 'forties, and sporadic reincarnation on the Late Late Show; for I contend that they "touch immortality...

Author: NO WRITER ATTRIBUTED | Title: Nobody Is | 5/23/1961 | See Source »

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