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...victim, Oscar went for the latter. Marlon Brando's Stanley Kowalski in the 1951 A Streetcar Named Desire is one of the major revolutionary performances in movies; it announced the arrival of the Method actor and the sexy brute in one galvanizing package. Yet Brando lost to Humphrey Bogart in The African Queen. The Academy went for old style over new, as it did in withholding Oscars from Brando's more sensitive brethren, Montgomery Clift and James Dean. Both were multiple nominees; neither won. And like Heath Ledger--who in Brokeback Mountain gave a bold, pioneering performance--neither Clift...

Author: /time Magazine | Title: The 800-lb. Golden Gorilla | 2/14/2008 | See Source »

...country has apparently descended into a kind of navel-gazing at a time when the world is changing very fast, and we're struggling to produce popular culture. So much solicitude is touching. But hang on: what about American culture seen from Paris? Brad Pitt, successor of Humphrey Bogart? Madonna, heiress of Billie Holiday? Edouard Launet, IN LIBÉRATION...

Author: /time Magazine | Title: A Culture of Healthy Debate | 1/2/2008 | See Source »

Hence, the house without a Christmas tree - and Addie's crafty yet always thwarted means of getting her dad to let one glow in the living room. But what distinguishes this poignant tale (written by Eleanor Perry from the story by Gail Rock, and directed by Paul Bogart, one of the All In the Family sitcom directors) is that it avoids the patented feel-good denouement of most Christmas dramas and takes us through a richer, more believable change in Robards' character. The inner hurt Addie endures at the hands of a father who can barely tolerate her presence...

Author: /time Magazine | Title: The Little Christmas Classic That Could | 12/14/2007 | See Source »

...part of the storyteller's art to reveal a single defining moment in a character's life, the inflection point at which the reader gains some insight into what makes the person tick. Huck escapes from his father and sets off down the river. Lear banishes Cordelia. Bogart reaches into his jacket pocket and gives Bergman the papers...

Author: /time Magazine | Title: Innovation | 11/2/2007 | See Source »

...rejected over and over.” However, he said he was mistaken in his assumption that management would be different. “I went to Yale for theater management, thinking that it would be more stable,” he said. “But as Humphrey Bogart says in Casablanca, ‘I was misinformed.’” Richenthal, who co-produced the Tony Award-winning play “I Am My Own Wife” and the 2002 production of “The Crucible,” took a less...

Author: By Juli Min, CONTRIBUTING WRITER | Title: Alumni Advise on Theater Industry | 5/3/2007 | See Source »

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