Word: bogarting
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...Hispanic objects-Mayan stelae, Aztec jewelry, Incan pottery, Olmec figurines-are smuggled out of Mexico, Central America and the Andean nations of South America. The illicit trade easily reaches millions of dollars annually and involves characters so bizarre they might have stepped out of an old Humphrey Bogart film: shrewd peasants, soldiers of fortune, venal archaeologists, dealers, diplomats and collectors who are ready to pay-or do-almost anything to satisfy their greed...
...that it is difficult to see her as anything but a female detective. They are all uninspiring people, leaving you sitting in your seat, as the lights come back on, feeling depressed and ashamed. You long for Laren Bacall's cool, (oh, so cool) figure, lighting a cigarette for Bogart under the bar with one swish movement, finally winning his affection in To Have and Have Not through pure, unadulterated strength (remember that word?). Or Katherine Hepburn in Adam's Rib carrying out a masterful delivery on the plight of abused wives to a jury which her defendant, against Spencer...
...silliness on Person to Person is partially camouflaged by his formidable telegenic image: his omnipresent cigarette and theatrical voice lend dignity to everything he says. The words themselves, unfortunately, are banalities. In interviews with John and Jacqueline Kennedy, Marilyn Monroe, Agnes de Mille, Maria Callas, Sir Thomas Beecham, Humphrey Bogart and Lauren Bacall, he rarely extracts a witticism and never an insight. "Have you opened all your wedding gifts?" he asks the newlywed Kennedys in 1953. He then goes on to stock questions that permit the young Senator to rattle off his policy positions by rote. Murrow's notion...
...Neil Simon has boldly blended The Maltese Falcon and Casablanca, adding some finely chopped bits from The Big Sleep and To Have and Have Not. He was shrewd enough to realize that it was not the story lines of his sources that gave them their hold on our affections. Bogart's incisive, ironic characterization of the urban loner, the Hemingwayish dialogue and the film noir look that gave Warner Bros, films their unique quality in the '40s, the forcefulness of the studio's stable of character actors-all of these elements combined to create a style that...
Director Moore tries to disguise the laziness of Simon's effort with a quick step pace, but Peter Falk, although he does a good imitation of Bogart's snarly lisp, tends to give the game away by resting on that modest achievement. Few of the other "all-stars" do much more than trace a broad Crayola line around fa miliar types. The Cheap Detective offers a few snorts of recognition and a basically good-natured air. But frankly, they did this sort of thing just as well, and a lot more quickly, on the Carol Burnett Show...