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Thank Your Lucky Stars, with Bogart, Bette Davis, Errol Flynn, Olivia De Havilland, at 8 p.n.: and Go Into Your Dance, with Helen Morgan, Ruby Keeler and Al Jolson, at 10 p.m., Friday and Saturday...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 5/2/1974 | See Source »

...their time at the Brattle or the Welles (the addition of the bar made it possible to live inside the Brattle building for "an indefinite period of time," albeit on a liquid diet, a Crimson critic noted in 1957) but the people lining up for the first Bergman and Bogart festivals led real lives that the movies helped enrich...

Author: By Richard Shepro, | Title: The Movies in Cambridge: Some Thoughts, Some History | 4/29/1974 | See Source »

...Brattle program reveals that it still shows many of the same movies. Over 21 years, the little theater has rarely shown a movie that is not extraordinary in some way; very few theaters anywhere can match its record. At times its prints are terrible--some of the Bogart festival prints have huge gaps where some of my favorite lines should be ("Rick? He's the kind of man who, if I were a woman, and I were not around, I should be in love with Rick.")--but its consistently good, if repetitious, choice of films seems never to have varied...

Author: By Richard Shepro, | Title: The Movies in Cambridge: Some Thoughts, Some History | 4/29/1974 | See Source »

DESPITE THE EXCELLENCE of the Brattle, the American film was still slighted in Cambridge. The Brattle showed Bogart--and a few other period films--but it never went in for American retrospectives, while Harvard Square rarely looked to the past at all. So the coming of the Orson Welles meant an important expansion of coverage and not (as some thought at the time) a duplication of facilities that would divide the movie business and destroy all three theaters...

Author: By Richard Shepro, | Title: The Movies in Cambridge: Some Thoughts, Some History | 4/29/1974 | See Source »

...have time to direct and oversee distribution and advertising, but he did intervene in the strange commercial career of The Long Goodbye, released last year. The Long Goodbye, was based on the Raymond Chandler novel, with Elliot Gould playing Philip Marlowe. It dealt with an author untouched since Bogart's formidable version of the hero. Last spring United Artists opened the film at several locations across the country, avoiding the usual New York premiere. The critics reacted with dismay. "The truth is," Altman says, "that most of the reviewers across the country have the New York reviews to guide them...

Author: By Phil Patton, | Title: Movies for Mood or Money? | 4/17/1974 | See Source »

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