Word: bogarts
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Dates: during 1950-1959
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...costumed grandiosity that Hollywood usually purveys as local color. He does not give us pale demigods or villains with waxed black mustaches; the three men he presents us with are for the most part fully believable in a believable if distant situation. One of the three, tough guy Bogart, illustrates the motif of the film, that "gold can destroy men's souls," his degeneration coming almost in retribution for his claim that he is immune to the poison of the yellow dust. The other two seem ready to yield also, but they do not, and we are left with...
...direction is in the old epicstyle, much like the famous fist-flinging style of Bogart himself. After Bogart shoots his buddy, he sits by the fire and wonders if he has a conscience, and the camera pans down and the flames fill the whole screen. There is a goodly quantity of classic cowboy-and-Indian manuevers and physical violence but never does it seem like plot filler. Also greatly contributing is Max Steiner's fine, taut, musical score...
...seclusion since the death last January of Cinemactor Humphrey Bogart, his widow, Cinemactress Lauren Bacall, was stepping out with an old family friend, Cinemactor Frank Sinatra. Lauren was recently draped on Frankie's arm for the Las Vegas premiere of his new movie The Joker Is Wild, last week went along with him to a closed-circuit telecast of the Sugar Ray Robinson-Carmen Basilio fight in a Hollywood theater from which they emerged looking as happy as if they had bet on Winner Basilio. But though Hollywood gossips buzzed, both Lauren and Frankie denied a wedding...
...Called Peter and Battle Hymn, but it was the Roman collar that looked best on Bing Crosby, Spencer Tracy and Pat O'Brien-not to mention Barry Fitzgerald, Van Johnson, Paul Douglas, Gregory Peck, Charles Boyer, Montgomery Clift, Henry Fonda, Charles Bickford, Karl Maiden, and even Humphrey Bogart and Frank Sinatra. All this adds up to vulgar exploitation of the Roman Catholic Church, says Film Critic Robert Brizzolara of The Voice of St. Jude, national magazine of the Claretian Missionary Fathers. With a few exceptions, he writes in the current issue, the formula is classic: "Take priest...
...people will list a great voice and a good-looking body," he said. "But the greater performers have lacked one or both of these--David Garrick, Edmund Kean, Eleanora Duse, Pauline Lord and Helen Hayes, for example." In the movies, even such "good but not great actors" as Humphrey Bogart, Spencer Tracy, Clark Gable and John Garfield were not able to get anything but villain roles for a long, long time...