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...Marivaux was ahead of his time,” Bogart explains, adding that the premiere of La Dispute was “like heavy metal to [the Parisians...

Author: By Alexandra D. Hoffer, CRIMSON STAFF WRITER | Title: 18th Century Play Brought to New Life at the ART | 2/7/2003 | See Source »

...Bogart sees La Dispute as essentially pessimistic—a portrait of a world in which free will is mostly an illusion, where people are merely animals “hardwired for mating...

Author: By Alexandra D. Hoffer, CRIMSON STAFF WRITER | Title: 18th Century Play Brought to New Life at the ART | 2/7/2003 | See Source »

...Bogart conceived the characters of her play as crows and ravens, bird species whose mating rituals are mirrored by those of the human characters in her play...

Author: By Alexandra D. Hoffer, CRIMSON STAFF WRITER | Title: 18th Century Play Brought to New Life at the ART | 2/7/2003 | See Source »

...Dispute is a short play—only 89 minutes in its ART incarnation. To pad the running time, Bogart begins the play with a long visual prologue that includes no speech. She sets it in a hall of mirrors, where people unsucessfully seek to find “sexual and personal fulfillment...

Author: By Alexandra D. Hoffer, CRIMSON STAFF WRITER | Title: 18th Century Play Brought to New Life at the ART | 2/7/2003 | See Source »

Throughout, the actors move in a what Bogart calls a “choreographic” and rather stylized manner, and there are several long periods of silence in which they fight or merely gaze upon their own reflections...

Author: By Alexandra D. Hoffer, CRIMSON STAFF WRITER | Title: 18th Century Play Brought to New Life at the ART | 2/7/2003 | See Source »

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