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...greatest film comic and actor--and some would say director--as a man who always strove to prove that "man's humanity to man is far greater than his inhumanity to man." Then, after a film clip melange predictably slapped together by Peter boy-do-I-know-films Bogdanovich. Chaplin emerged from the same stage cockpit as the first gargantuan statue which Joel Grey had serenaded with an ode to the studios in the opening number...

Author: By Michael Sragow, | Title: "Oscar Wiles" | 4/13/1972 | See Source »

Last Picture Show, growing up in a dying Texas town by critic-turned-director Peter Bogdanovich. Abbey Cinema...

Author: NO WRITER ATTRIBUTED | Title: the screen | 4/13/1972 | See Source »

Directed by PETER BOGDANOVICH Screenplay by BUCK HENRY, DAVID NEWMAN and ROBERT BENTON...

Author: /time Magazine | Title: Cinema: Popular Mechanics | 4/10/1972 | See Source »

...Director Bogdanovich's intention here was to do a pastiche of '30s screw ball comedy, particularly of Howard Hawks' Bringing Up Baby, whose plot he lifted and whose blisteringly fast pace he attempted to emulate. He also borrowed from other sources as varied as Buster Keaton and Animator Chuck (Roadrunner) Jones. The result is a comedy made by a man who has seen a lot of movies, knows all the mechanics, and has absolutely no sense of humor. Seeing What's Up, Doc? is like shaking hands with a joker holding a Joy Buzzer. The effect...

Author: /time Magazine | Title: Cinema: Popular Mechanics | 4/10/1972 | See Source »

What's Up, Doc?, Bogdanovich again, this time directing Ryan O'Neal and Barbara Streisand. Sack 57, 10:15, 12, 1:45, 3:30, 5:15, 7, 8:45, 10:15, Sundays...

Author: NO WRITER ATTRIBUTED | Title: the screen | 3/30/1972 | See Source »

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