Word: bogdanovich
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Dates: during 1968-1968
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...excerpted film makes its showcase suffer by comparison. It happens even to good films. Vivian Kurz in Andrew Meyer's Match Girl watches a chunk of Vertigo on TV, and a sensible spectator gets irritated when Meyer decides to return to his own film. The same holds for Peter Bogdanovich's Targets: even the glimpse of Hawks' The Criminal Code Bogdanovich shows us is enough to persuade that it has Targets beat by a mile...
Targets does make one sorry improvement on life, however. Bobby kills far more bystanders than Whitman did. The endlessly repetitive fusillades suggest that Writer-Director Peter Bogdanovich, in his first film, was really intent on creating the most prolific murderer in Hollywood's long history of violence. Unfortunately, it is a record made to be broken...