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Word: bogus (lookup in dictionary) (lookup stats)
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Frank's healing touch is not bogus but erratic. When his "performance," as he calls it, works, he and the healed are joined in a mystic ecstasy of wholeness...

Author: /time Magazine | Title: Theater: Touch and Go | 4/16/1979 | See Source »

Although Zeffirelli usually has a good eye for sets and atmosphere, even the ambience of The Champ seems bogus. The low-life Florida sporting hangouts frequented by the champ (Jon Voight) and his son (Ricky Schroder) are a tad too pretty; the extras look like a musical comedy chorus. The florid digs of the mother (Faye Dunaway) are so opulent that one expects Astaire and Rogers to appear on a staircase. Such decorative exaggeration is paralleled by Zeffirelli's treatment of his story. Each time The Champ hits a melodramatic climax, which is roughly once every five minutes...

Author: /time Magazine | Title: Cinema: Tear Jerks | 4/9/1979 | See Source »

...found its way into "Holiday in the Sun," contains the chilling refrain "Be a man, kill a man" and Rotten's patented looney-bin hysterics. Roland Biggs, the fat old geezer who took over fronting the band after Rotten left, performs his own version of the song, complete with bogus German accent. He also marches on Martin Bormann in his "No One's Innocent...

Author: By Paul A. Attanasio, | Title: Kill Rod Stewart | 4/4/1979 | See Source »

...leggings and a white tunic with a heraldic device on the front. Shazzam! It's Disco Superman! The house howled at every word. Berti played it to the hilt, flourishing his cape and pouncing about the stage like Batman, delivering his lines with Marvel Comics bravado. As comedy this bogus touch was great, but as Shakespeare it seemed rather strained and out of sorts with the prevailing traditionalism. Lacey apparently decided to cast continuity aside and go for a big, bargain-rate laugh with an expendable character...

Author: By Joseph B. White, | Title: Bad Bard in Boston | 3/21/1979 | See Source »

...Dolby or no Dolby. That music--Christ--I still have a headache. And the gun shots--every time they blew up a face I hit the roof. It was very well filmed. Vilmos Zsigmond is a genius. Well edited. Those weren't Pennsylvania mountains, though. Man, it was elaborately bogus--the choral music in the mountains, the Russian Orthodox Church that looked like the Vatican--and those scenes in the beginning...During my youth, after an unpleasant incident with the wife of the Marquis De Palona--from which comes the English, "marquee," which applies to movies--I was forced...

Author: By Joseph Dalton and David B. Edelstein, S | Title: Phantom of the Cinema | 3/1/1979 | See Source »

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