Word: bohemianized
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...teaching at Liverpool University in 1904 he disappeared for weeks at a time on camping trips with gypsies. He once left a train at Marseille and traveled all the way back into Spain to paint a girl he had seen from the train window. The satyrlike old Bohemian, John Bidlake, in Aldous Huxley's Point Counter Point was immediately accepted in Bloomsbury as a fictionalization of Augustus John, minus the real artist's wild whiskers and his trick of looking fierce in one eye and hunted in the other...
...years been seen in the east. All but two were from Duveneck's best period, the 1870s and 1880s. During those years Duveneck was a famous expatriate with one of the largest followings among young painters that any U.S. artist has ever had. A big, Viking-bearded Bohemian who took the Munich Academy by storm at 21, then opened his own school in definace of it, Duveneck painted in the spirit of Frans Hals. In such paintings as The Bohemian (see cut, p. 36) he showed an almost equal mastery of brush modeling...
...Frank Harding published a Cake Walk version of I Dreamt That I Dwelt in Marble Halls, from Balfe's opera, The Bohemian Girl. The skies did not fall, but ever since then it has been good publicity: 1) to jazz a well-known classic or dead-serious folksong, 2) to goad a few naive busybodies into protest, 3) to pretend that the incident is splitting the world of music into two opposing camps of foamy-lipped zealots...
Cosmopolite Dolmetsch, son of a piano maker, was born at Le Mans, France, of Bohemian, German, Swiss and French ancestry, started out to be a violinist, studied with famed Violinist Vieuxtemps at the Brussels Conservatoire. But in 1889, while poking about the musical archives of London's British Museum, he happened to come across manuscripts of a 17th-Century English music for viols. Violinist Dolmetsch had heard 17th-Century scores revived by modern musicians on modern instruments, and, like many, had found the results flat as saltless soup. But as he studied the old scores, he began...
...Last week, as Soprano Pitzinger finished her first U. S. tour, delighted critics went back a whole generation for their comparisons, acclaimed her as the greatest Lieder singer since Wüllner, Gulp and Gerhardt. Thirty-two-year-old Soprano Pitzinger learned Lieder as a girl from Bohemian peasants, studied more with Vienna's famed Lieder composer, Joseph Marx. Five years ago she braved a Berlin recital, became an overnight sensation. In London last May she was thrilled to sing in Beethoven's Ninth Symphony for Coronation visitors...