Word: bohrerã
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...characters drags down the momentum of the show’s opening with uninteresting choreography, weak vocal performances, and consistently unfunny references to computer applications and the Internet that seem out of place. The character of Desi Speakenglish, while mildly amusing, is neither well developed nor particularly exciting, and Bohrer??s performance lacks the force that would give the role a stronger sense of purpose...
...accidents, while the third imagines a dystopian future. Though each has a different setting and plot, they are all connected by a common cast. Despite the distinct qualities of the characters in the different pieces, Bohrer found that some cast members suited themselves to similar roles in all three. Bohrer??s acting experience informed his approach to writing. “I wanted to write characters that were fun for actors to play,” he says. He drew on Harvard theater veterans and newcomers alike for his cast. “James [M.] Leaf...
...idyllic” Archibald Grosvenor (Matthew I. Bohrer ’10) who calls himself a “trustee of beauty.” When the maidens encounter this new embodiment of perfection, the tempo accelerates and some excellently choreographed chaos erupts on stage. Bohrer??s Archibald was brilliant in his vanity, stealing the attention of the audience as well as the rapturous maidens. His sickly counterpart, the “fleshly” Reginald, was well cast to satirize Oscar Wilde. Yet Kimmey’s permanent grimace was distracting, as were the mock Grecian poses...
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