Word: bohrer
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Dates: during 2000-2009
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...comedy, which typically focuses on individual performance. “You work on your material yourself, and you don’t really get to learn how to improve it until you hear what the audience’s reaction is,” HSUCS member Matthew I. Bohrer ’10 says about sticking to open-mics. “Which can be a very painful thing,” he adds.While creating a community of comedians is one goal, helping the audience understand the craft behind the scenes is another aim of the organization. The group?...
...Three Lives of Lucie Cabrol” is a play haunted by regrets, misfortune, and ghosts, both real and imagined. This Mainstage production, directed by Catherine “Calla” I. Videt ’08 and produced by Matt I. Bohrer ’10, maintains an otherworldly aspect throughout its time upon the stage. Running through April 14, the play is an impressionistic look at the life and death of the title character, a poor and often friendless woman living in the French countryside. The result is a fascinating—but occasionally impenetrable?...
CORRECTION: The April 9 arts review "Cryptic 'Cabrol' at Mainstage" incorrectly stated that Matt I. Bohrer '10 produced the Loeb Mainstage production "The Three Lives of Lucie Cabrol." In fact, Bohrer was one of four members of the production team, and the executive producer was Mollie M. Kirk...
...Schifferes) and his elder daughter Hesione (Julia M. Runcie ’10), who has just invited a guest to stay with them. Hesione plots to help Ellie Dunn (Mia P. Walker ’10) escape a marriage to “Boss” Mangan (Matthew I. Bohrer ’10), a business magnate whom she does not love...
Schifferes also delivered a notable performance, and while Adamson was a weak performer in the first act, he later became more intriguing with his spirited denunciation of Captain Shotover’s daughters. Bohrer was also slow to grow into his character, but he reached his element in the second act when he wildly alternated between furious rampages and lovelorn docility...