Word: bohrer
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...show develops out of this central relationship in many directions at once, which makes its grace all the more surprising. Feynman’s memories of Eurydice are brought movingly to life by Matt I. Bohrer ’10, who plays the physicist’s younger self. As Oppenheimer & Co. come closer to perfecting the “destroyer of worlds,” the biblical Adam (David F. “Ricky” Kuperman ’11) and Eve (Sarah T. Christian ’11) arrive to reflect on the Earth?...
Theater has always been a passion for Matthew I. Bohrer ’10. “Since I was a little kid I would be trying on costumes or putting together scenes for my friends to act out on the playground,” he says. Bohrer has acted on the stage since high school and has appeared in over a dozen productions at Harvard, but his first foray into writing and directing a play, the three-act “Slipping Away,” will premiere at the Loeb Experimental Theater on Jan. 8. After acting...
...claims that she “won’t go to bed until I’m head over heels in love.” Her wishes are immediately answered with the arrival of the second poet, the “idyllic” Archibald Grosvenor (Matthew I. Bohrer ’10) who calls himself a “trustee of beauty.” When the maidens encounter this new embodiment of perfection, the tempo accelerates and some excellently choreographed chaos erupts on stage. Bohrer’s Archibald was brilliant in his vanity, stealing the attention...
Matthew I. Bohrer ’10 was excellent in the role of the Almighty. Appropriately clad in a brown sweater and khakis, Bohrer portrayed a loving but firm father figure with a paternal dignity worthy of Mr. Rogers himself. As Adam, Shafrin imbued his character with a careful balance between filial piety towards God and his own authority as the father of Cain and Abel...
...with her there, but then why dissect the story of Phaeton (Matthew I. Bohrer ’10) and Apollo (Hill) with such ruthless precision? Why have Apollo’s son tell his story to a long-winded psychiatrist, who tears Phaeton’s tale to shreds with psychoanalytical terminology? If the value of myth is its magical elusiveness, why pin it down? Fables may have morals, but myths do not, and this may be a distinction that Zimmerman forgot to make...