Word: bold
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...mother of three in St. Petersburg, Fla., was a drab, weary homemaker in sweat pants and a T shirt. Then the Hollywood fairies intervened. They gave her a bright porcelain smile, a sassy California hairdo, a neck lift, a face-lift and, at least for a while, a bold new attitude that revved up her relationship with her husband Wally. "Our romance had really waned over the years," she says. Wally felt as if he were having an affair in the weeks that followed Tammy's return, but since then things have cooled. A regular date night quickly faded from...
Beilin and Rabbo’s bold initiative will not itself bring peace, a bleak history suggests, but can advance the cause—as long as the U.S. wrests the accord’s future from Sharon and Arafat. As soon as he knew of the accord’s success, Sharon dismissed it as subversive and treasonous, because it skirted his government, courted Arafat’s approval and boosted the political stature of opponents like Beilin, intent on Israeli regime change. Arafat, meanwhile, has qualified his private support with public vacillation, at once praising the plan...
...tries to position herself for the future with versions of Carly Simon's Anticipation, Carole King's I Feel the Earth Move and Joni Mitchell's Help Me. These are eclectic choices that would help define Moore's aesthetic--if only she had one. On Earth, Moore is bold; on Cat Stevens' Moonshadow, she is delicate; and on a particularly bad version of Blondie's One Way or Another, she even tries vamping. After a few tracks, you realize she's not covering these singers but coveting their personas. A dozen songs later, it's still hard to say exactly...
...corner of the stage, it was hard to tell what she was feeling. She never really projected the resolve and strength that characterized Helena. She came off best in the first part of the play, when she was weepy and despairing; she showed less skill as a resourceful and bold heroine, although she exhibited flashes of those qualities in her argument with the King...
...corner of the stage, it was hard to tell what she was feeling. She never really projected the resolve and strength that characterized Helena. She came off best in the first part of the play, when she was weepy and despairing; she showed less skill as a resourceful and bold heroine, although she exhibited flashes of those qualities in her argument with the King...