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...rather bold statement considering Farmington’s early exit from Connecticut’s high school tournament Haviland’s senior year. Of course, that disappointing end came only in spite of Haviland’s best efforts...

Author: By Timothy J. Mcginn, CRIMSON STAFF WRITER | Title: BASEBALL 2005: New Place, Same Ace | 4/8/2005 | See Source »

...best known for his bold merging of Japanese and Western aesthetic values and innovatively creative forms. Prime examples of these principles are his internationally-renowned twin stadiums for the 1964 Tokyo Olympics and St. Mary’s Cathedral in Tokyo. The redesign and reconstruction of Hiroshima after the atomic bombing which devastated it in 1945 was his first professional commission, and is still among his most lauded work...

Author: By The Crimson Staff, | Title: In Memoriam | 4/8/2005 | See Source »

...comix' newest lights, Kevin Huizenga's "Or Else" series explores the hidden connections between things that superficially seem contradictory: religion and science; reality and fantasy; the quotidian and absurd. Mixing complex yet readable storylines with bold experiments in form and a sense of humor, Huizenga's work is a "must have" for anyone interested in the new possibilities of graphic literature. Or else be left...

Author: /time Magazine | Title: Get It 'Or Else' | 4/1/2005 | See Source »

...Tange's designs were unique, visionary, and hugely influential for their unapologetic urbanism and bold experimentation in both form and materials. A lifelong devotee of Swiss modernist Le Corbusier, Tange shared many of his idol's best and worst tendencies-his buildings could be brutal, cold and impractical, and have never been as well-loved as they are well-respected. A tireless theoretician and teacher, Tange's four-decade reign as one of architecture's brightest stars launched the careers of numerous disciples who continue his modernist mission-as he described it, to seek "the union of technology and humanity...

Author: /time Magazine | Title: Milestones | 3/28/2005 | See Source »

...third piece of the evening (Schumann’s “Symphony No. 3”) without Bartosik, audience members might have expected disaster, but the orchestra seemed to have improved their performance level significantly by the time they played this piece. The opening was strong and bold, and despite a few errors in both the strings and winds, the orchestra remained together and on key through most of the symphony...

Author: By Jonathan M. Hanover, CRIMSON STAFF WRITER | Title: ARTSMONDAY: Bartosik Shines in MSO | 3/21/2005 | See Source »

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