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Word: boldini (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

There was Giovanni Boldini's wispy Duchess of Marlborough propped stiffly on her spindly divan; Whistler had caught bewhiskered Theodore Duret wistfully holding a lady's opera cape in some carpeted corridor. And William M. Chase had come upon the bemonocled Whistler sporting an absurd little cane and striking his dandy's pose. But most of the Edwardians represented at the museum (the Phelps Stokeses, the Wyndham sisters, Mme. Gautreau, Miss Ada Rehan, Henry Marquand) had sought out, or been sought out by, the slickest and most fashionable painter of their day to immortalize them -John Singer...

Author: /time Magazine | Title: Art: Reluctant Chronicler | 7/5/1948 | See Source »

Conservative 19th-Century art has been sensationally bullish. Auction examples: Millet's Paysanne Revenant du Puits, $30,000; Turner's Fishmarket, $15,500; Boldini's Ladies of the First Empire, $11,000; Rosa Bonheur's En Forét, $8,000; a Corot landscape...

Author: /time Magazine | Title: Art: On the Block | 5/14/1945 | See Source »

...great friends were the deft caricaturist Sem, and Jean Giovanni Boldini, "The King of Swish," whose portraits of women seemed like the ravishing end toward which Helleu's casual etchings were moving...

Author: /time Magazine | Title: Art: Pleasing Paul | 7/26/1943 | See Source »

Faced with many such free-style virtuosities, observers might not blame the average vain sitter portraitists.* But the few bravura, turn-of-the-century, super-official portraits such as John Singer Sargent's Mrs. Fiske Warren and Her Daughter, and Giovanni Boldini's Miss Edith Blair, smartly included in the show, looked rather like candy-box covers among the rest of the displays...

Author: /time Magazine | Title: Art: Art v. Official Art | 12/21/1942 | See Source »

...once described by Shaw as "a gorgeous dark lady from the cradle of the human race -wherever that was-Ceylon, Sumatra, Hilo, or the southernmost corner of the Garden of Eden!" Here she wears costumes (by the English house of Motley) inspired by the paintings of the late Giovanni Boldini (1842-1931), the "Master of Swish" whose society portraits had an even glossier Edwardian swank than those of John Singer Sargent. Simply by appearing in a blue velvet period gown, with a swooping hat crowned by an exotic bird and delicately moored in place by a face veil, Cornell stops...

Author: /time Magazine | Title: The Theatre: Revival in Manhattan | 3/24/1941 | See Source »

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