Word: bolds
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Dates: during 1980-1989
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...Brandos, on their Honor Among Thieves (Relativity), sing bold, head-on rock, Creedence Clearwater-style. Tunes like Gettysburg and Hard Luck Runner are of a type that has lately been called, somewhat pejoratively, "roots rock," but a band like the Brandos gives ample evidence that those roots run deep and still offer great nourishment...
...little more straightforward and a lot more spare. Springsteen's E Street Band reveled on Born in the U.S.A. Here they hang back; indeed, on four songs the Boss handles the instrumentation by himself. Born in the U.S.A. was an album full of bright light and bold colors and deliberate, surreptitious contradictions. Tunnel of Love, by contrast, seems washed in autumn moonlight, pale and chill. These are twelve songs for the season of the witch...
...managing editor of the New York Times can safely be described as a man blessed with self-confidence. E. Clifton Daniel, now 75, demonstrated that quality anew last week when he ventured to name the ten most important headlines of the 20th century. He took this bold gamble in connection with an international project called Chronicle of the 20th Century, for which Daniel served as an editor and which undertakes to tell the history of the era in headlines and quasi news stories. Daniel...
...libraries" (home offices to the unredecorated) for dual- income families to stash books, papers, computers and answering machines. Baked ceramic tile is in vogue for every surface from countertops to foyer floors, and the mixing of bleached and raw-wood textures is common. Formica furniture, in startling shapes and bold solids, is a yuppie favorite. As for colors, earth tones -- drab tans, harvest golds and avocados -- are now out of favor. Yolk yellow and soft pastels are comers, and classic Wedgwood and Williamsburg blue are being revved up to purples and periwinkles. From California to Connecticut, country French decor...
...other moments, such as in the exquisitely mysterious second movement, the effect is more lulling, and meditative. The last movement opens with a fanfare of rolling major arpeggios, and seems best of all suited to the composer's bold themes and unabashed fondness for virtuoso showmanship...