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...scandals go, a D-list Bollywood actor caught propositioning an unknown undercover reporter from an equally unknown TV channel isn't exactly Monica Lewinsky. Nevertheless, India was agog last week when upstart channel India TV broke what quickly became known as the "casting-couch scandal." In a Bombay hotel room rigged with hidden cameras, has-been screen villain Shakti Kapoor told what he thought was an aspiring young actress: "I want to make love to you. And if you want to come in this line [of business], you have to do what I am telling [you] to do." Kapoor then...

Author: /time Magazine | Title: India Goes Undercover | 3/21/2005 | See Source »

...Will there be a backlash against the new intrusiveness? Gupta argues that the public has supported a free press because journalists never abused that freedom. Now, he says, "I'm really worried one of my reporters is going to get thrashed." Bollywood producer Pritish Nandy fears conservative critics will use the scandal to attack both journalism and entertainment. "Did you know Lady Chatterley's Lover is still banned in India? This only gives a leg up to the crazy prudes who think that's a good idea." Tehelka boss Tarun Tejpal knows how aggressive journalism can boomerang. After publishing...

Author: /time Magazine | Title: India Goes Undercover | 3/21/2005 | See Source »

...Great directors are typically typecast as impractical, creative visionaries. They aren't supposed to care about numbers. But before he became a director in the early 1980s (after some limited success as a Bollywood actor and director of TV ads), Kapur worked for Burmah Oil in London."There aren't too many feature-film directors who began life as accountants," observes Blanchett. Today, Kapur is as comfortable at a business conference or giving a speech about fossil fuels as he is attending a film festival. "Actually, I believe that all creative people are schizophrenic," he says. Kapur's interest...

Author: /time Magazine | Title: The Numbers Man | 3/14/2005 | See Source »

...years ago, when Kapur left Bollywood for Hollywood, America still struck him as the center of the creative universe. With a virtual monopoly on budgets and technical skill, L.A. was clearly the place to be for a foreign director with a single art-house hit, Bandit Queen. He was an immediate success. In 1998, Kapur directed Blanchett in Elizabeth, about the life of England's 16th century monarch. The movie was nominated for seven Oscars, winning one. Its magic, says Blanchett, lay in Kapur's slightly demented reinvention of period drama. "Elizabeth could have been incredibly musty," she says...

Author: /time Magazine | Title: The Numbers Man | 3/14/2005 | See Source »

...third writer and seventh rewrite. Perhaps more significantly, after the grandeur of Elizabeth and the scale of The Four Feathers, Water is budgeted at a slim $20 million-despite an all-star team that includes writer Andrew Niccol (The Truman Show), designer John Myhre (Chicago) and, for the score, Bollywood maestro A.R. Rahman and Dave Stewart of the Eurythmics. "The same film in Hollywood would cost $100 million," says Kapur. "But here it isn't corporate. Here I can keep control...

Author: /time Magazine | Title: The Numbers Man | 3/14/2005 | See Source »

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