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...missing from the de Basil line-up this year is Tamara Toumanova-one of the three ballerinas who at their debuts were so publicized for their beauty and tender years. She is now in Hollywood. In her absence Sono Osato, a Japanese-American trained under Adolph Bolm, one of the company's youngest dancers (17), is by far its most exotic looking. As a dancer, she has not yet advanced beyond petit sujet (ranking in ballet hierarchy above a corypheé, below a grand sujet). Irina Baronova, now 18, is a brilliant and imaginative artist, still addicted to lengthening...

Author: /time Magazine | Title: Music: Sur les Pointes | 11/1/1937 | See Source »

...stage animals. Merola's formula remained the same as at the old Auditorium. He kept the seasons short, used the local symphony orchestra and local choristers, sold out his performances with Big Names. The local backlog became stronger with the foundation of a ballet school with able Adolph Bolm, oldtime Diaghilev dancer, in charge. Last year, spending some $40,000 on scenery alone, the San Francisco Opera produced Wagner's Ring cycle, headed the casts with Kirsten Flagstad and Lauritz Melchior, the two great Wagnerians from Manhattan's Metropolitan Opera...

Author: /time Magazine | Title: Music: Curtains Up | 11/9/1936 | See Source »

...head the ballet school Impresario Merola wisely chose Adolph Bolm who used to dance in the peerless Diaghilev troupe with Karsavina, Mordkin, Nijinsky. What the school has accomplished in less than two years was demonstrated one night last week before all the Californians the opera house could hold. The dancing they saw was expert, technically sure. And more, it had escaped from the musty routine which stales most opera ballet. With equal spirit and understanding the Bolm dancers did a classical Chopin Reverie, a weird Chinese folk drama and a Ballet Mecanique for which they wore costumes of wood, Cellophane...

Author: /time Magazine | Title: Music: San Francisco's Ballet | 6/18/1934 | See Source »

...been held up since Depression as a model to every opera-giving city in the U. S. It has had world-famed singers, this year Lucrezia, Bori, Claudia Muzio, Giovanni Martinelli, Ezio Pinza, Gertrude Kappel, Cyrena Van Gordon, Lawrence Tibbett. It has its own ballet, expertly trained by Adolph Bolm. It has usually managed to pay its way although this year, to no one's great concern, it ran up a deficit of $30,000. The Symphony hopes to square itself by having Arturo Toscanini for its guest conductor in the spring. Toscanini has always wanted...

Author: /time Magazine | Title: Music: Concert Business | 12/18/1933 | See Source »

...even New York worried about its Metropolitan, Impresario Merola announced still bigger things for San Francisco. Next autumn he will have a ten-week season. To prepare for it he opened an opera chorus school, the only one in the U. S. outside New York. He appointed Adolph Bolm who used to dance with the Diaghilev Ballet to start ballet classes. Said Signor Merola: "We are going to teach in our school everything that has to do with the lyric stage. . . . We have 5,000 operagoers here in San Francisco. They have 20,000 in New York-possibly...

Author: /time Magazine | Title: Music: Dauntless Impresario | 2/13/1933 | See Source »

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