Word: bolshoi
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...Mercury). Byron Janis blasts off like a rocket with the orchestra ablaze behind him, and even when they get back to earth, they are still incandescent. The First Rachmaninoff Concerto on the other side is equally brilliant. A harmonious international collaboration, the record was made with U.S. equipment in Bolshoi Hall and won the French Oscar, a Grand Prix du Disque...
...entire U.S. dance world. Mrs. Rebekah Harkness Kean has just created a new company with a $2,000,000 endowment to resist just that possibility. But long before any grants, the New York City Ballet was the only American company that could be compared to Moscow's Bolshoi, Leningrad's Kirov, London's Royal Ballet and Copenhagen's Royal Danish...
...That's quite a name you've got there," Bolshoi Ballet Master Leonid Lavrovsky told the young ballerina. "If you turn out to be a good dancer you can keep it." The dancer's name was Natalia Bessmertnova, and since in Russian that means Natalie the Immortal, its owner seemed destined to carry it awkwardly-like a steamer trunk with fancy labels. Last week, with barely two months as a Bolshoi soloist behind her, Bessmertnova was established in Moscow's excited ballet world as decidedly bessmertnova-even more so, said her teachers, than the immortal Ulanova...
Such talk is perhaps a bit excessive. Bessmertnova has appeared in only one solo role-Giselle-and that only five times. But each time she dances she stirs up a storm of acclaim such as the staid old Bolshoi has not seen in years. Even Ulanova raves about her. Lithe, dark, and only 22, Bessmertnova seems the very ideal of ballet-the disembodied spirit choreographers dream of, the ethereal figure that explains the whole logic of the dance...
Bessmertnova studied for ten years at the Bolshoi Ballet School, then spent two seasons in the corps de ballet before her first Giselle last November. At the highly conservative Bolshoi, even this long tour is hardly a complete apprenticeship, and Lavrovsky is sternly resisting the demand for her dancing by allowing her only one or two performances a month. Battling off other Bolshoi ballet masters who plead for her presence, he says: "I don't want them destroying at night what I teach...